Paris City Guide: 23 Places Every Architect Must Visit


Paris City Guide: 23 Places Every Architect Must Visit, Licensed under (CC BY 4.0).
Licensed under (CC BY 4.0).
  • Paris, the city that was born on the banks of the Seine, grew from a small island – Île de la Cité – to the vast metropolis that nowadays extends beyond Ménilmontant, the vingtième arrondissement.

The French capital has so much to offer. Centuries of history have left behind meaningful structures which also have been the background of love stories, wars and revolutions. Whether you are seeking to admire hidden spots, the well-known landmarks and jewels soon to be opened, or filling your personal story with them, you’ll find everything you want in this city.

This list, in no particular order, aims to provide some guidance and inspiration for your next trip to Paris. If you love architecture, dear friend, look no further.

Want to discover Paris’ architecture? Continue reading!

1. Centre Georges Pompidou

© GraphyArchy via Wikimedia Commons
© GraphyArchy via Wikimedia Commons

Architect: Renzo Piano

Location:19 Rue Beaubourg (Google)

Year: 1977

Description: This is one of the most iconic buildings in Paris and houses the Musée National d’Art Moderne which is the largest museum for modern art in Europe. Its exposed skeleton of brightly coloured tubes for mechanical systems was the beginning of a new era of architecture and it’s a must visit. Oh and don’t miss the views from the top floor, which has free admission the first Sunday of each month. Read more here.

2. Fondation Louis Vuitton Paris

By Iwan_Baan © Fondation Louis Vuitton
By Iwan_Baan © Fondation Louis Vuitton

Architect: Frank Gehry

Location:8 Avenue du Mahatma Gandhi (Google)

Year: 2014

Description: Louis Vuitton, the luxury French fashion house founded in 1854, has recently been opening stunning stores around the world: Louis Vuitton Matsuya Ginza (Jun Aoki, 2013), Louis Vuitton in Singapore(FTL Design Engineering Studio, 2012) and The Shops at Crystals (Daniel Libeskind, 2009) are some of the most stunning. This art museum is even more exciting as there is a cultural aspect to it in the design – not just a formal approach. Built on the edge of a water garden created especially for the project, it comprises an assemblage of white blocks (known as “the icebergs”) clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. Read more here.

3. Palais de Tokyo Expansion

© 11h45
© 11h45

Architect: Lacaton & Vassal

Location:13 Avenue du Président Wilson (Google)

Year: 2002

Description: The original Palais de Tokyo – built in 1937 for the International Exhibition of Arts and Technology of 1937 – attracted over 30 million people. It was known as Palais des Musées d’art moderne. However, after the event was over, the structure became neglected and eventually deteriorated. In 2001, Lacaton & Vassal breathed new life into it, the new expansion injected extra space and it went from 7000 to 22,000 square meters. Palais de Tokyo is now a brand new building dedicated to modern and contemporary art. The new Café, located on top of the Palais, has one of the best skyline views of Paris. Read more here.

4. Palais-Royal

© Magdalena Martin
© Magdalena Martin

Architect: Jules Hardouin-Mansart

Location:8 Rue de Montpensier (Google)

Year: 1639

Description: The Palais-Royal, originally the fancy home of Cardinal Richelieu, ended up in the King’s hands after his death in 1642 – Henry VIII had a similar episode with York Place and Cardinal Wolseley in 1530. Since then, this palace became the home of kings and queens to follow until the late 18th century. Today, the Palais-Royal serves as the seat of the Ministry of Culture (closed to the public) but it’s the southern end of the complex, polka-dotted with sculptor Daniel Buren’s 260 black-and-white striped columns, that has become the garden’s signature feature since 1986. Read more here.

5. Bibliothèque Nationale de France

© Davide Galli Atelier
© Davide Galli Atelier

Architect: Dominique Perrault

Location: Quai François Mauria (Google)

Year: 1995

Description: Designed as four open books, all facing one another, this public library is part of an ambitious long-term project: The Grands Projets. President François Mitterand aimed to create a new set of modern monuments for a city long defined by its architecture. Some of the constructions in this plan include the Arab World Institute, the Parc de la Villette and Pyramide at the Louvre. The library buildings define a symbolic and mythical place that reinforce the cultural importance in the urban fabric. Don’t miss the other Bibliothèque Nationale by Henri Labrouste(1875). Read more here.

6. Notre Dame Cathedral 

© Flickr user kosalabandara licensed under CC BY 2.0
© Flickr user kosalabandara licensed under CC BY 2.0

Architect: Manuelle Gautrand

Location: 6 Parvis Notre-Dame – Pl. Jean-Paul II (Google)

Year: 1345

Description: While its interior is closed off to visitors following the devastating fire of April 2019, this masterpiece of French Gothic architecture remains a must visit place in Paris. Over its long construction period numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. The Mémorial des Martyrs de la Déportation is just behind it, don’t miss it either. Read more here.

7. Eiffel Tower 

© Wikimedia user Jebulon (Public Domain)
© Wikimedia user Jebulon (Public Domain)

Architect: Gustave Eiffel

Location: Champ de Mars, 5 Avenue Anatole France (Google)

Year: 1889

Description: Time for a big classic. Despite being such a cliché, this spot is one of my favourites of the list as an architect. It was built in 1889 as the entrance arch to the 1889 World’s Fair, which was located in the nearby Trocadéro area. It is 324 metres (1,063 ft) tall and, at the time of its completion, the tallest man-made structure in the world – a title it held for 41 years. This monument represents the aspirations of a country and the technical skills of its creators, which I find inspiring. In addition, the atmosphere around the Eiffel Tower is magical. Read more here.

8. Sacré-Cœur Basilica

© Flickr User Pedro Szekely licensed under CC BY-SA 2.0
© Flickr User Pedro Szekely licensed under CC BY-SA 2.0

Architect: Paul Abadie

Location: 35 Rue du Chevalier de la Barre (Google)

Year: 1914

Description: You may think this Romano-Byzantine church is older than it looks, but it was actually built after the Eiffel Tower (1889). The appearance of Sacré Cœur’s design is a result of the conservative Catholic old guard and the secular, republican radicals. The apse mosaic Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world. Don’t miss the amazing skyline views from the dome (accessible through the exterior left side of the basilica). Read more here.

9. Le Grand Louvre

© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)
© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)

Architect: I.M. Pei

Location: Place du Carrousel (Google)

Year: 1989

Description: As mentioned in #5, in 1981, the newly elected French president, Francois Mitterrand, launched a campaign to renovate cultural institutions throughout France and one of the most advantageous of those projects was the renovation and reorganization of the Louvre. President Mitterrand commissioned the Chinese American architect I.M. Pei the task being the first time that a foreign architect was enlisted to work on the Louvre museum. The new structure – built in the same proportions of the famous Pyramid of Giza – alleviated the congestion from the thousands of daily visitors. Sunset is the best time to visit. Read more here.

10. Musée d’Orsay

© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)
© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)

Architect: Victor Laloux, Lucien Magne and Émile Bénard

Location:1 Rue de la Légion d’Honneur (Google)

Year: 1900

Description: This imposing museum was originally built in 1900 as the former Gare d’Orsay, a Beaux-Arts railway station. And although its function was transformed, it does look like a railway station. It houses the largest collection of impressionist and post-impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. This and Marmottan Monet Museum are my favorites in Paris. Don’t miss the amazing skyline views from the clock tower. Read more here.

11. Fondation Le Corbusier

By Cemal Emden © FLC_ADAGP
By Cemal Emden © FLC_ADAGP

+Maison-Atelier Ozenfant, Immeuble Porte Molitor and Villa Stein-de-Monzie

Architect: Le Corbusier

Location: (Fondation Le Corbusier) 8-10 Square du Docteur Blanche (Google)

Year: 1923

Description: Of the countless buildings Le Corbusier designed in France, most of his housing examples are located in Paris. It would be unfair to just list one of them and that’s why I included some of his most representative works. Where to start? Definitely at Maison La Roche and Maison Jeanneret (1923–24), a pair of semi-detached houses that were Le Corbusier’s third commission in Paris. Fondation Le Corbusier is now used as a museum containing about 8,000 original drawings, studies and plans by Le Corbusier. His Paris home, where he lived until 1965, is located at Immeuble Porte Molitor (Public tours only by appointment). Read more here.

12. Pigalle Basketball

© Sebastien Michelini
© Sebastien Michelini

Architect: Ill-Studio

Location:17 Rue Duperré (Google)

Year: 2017

Description: This exciting urban intervention explores the relationship between sport, art and culture by changing the original primary colours with gradients of blue, pink, purple and orange. Blocks of red, yellow, blue and white from the last iteration have been painted over with brighter hues. The rubber court surface blends from blue at the ends to pink in the centre, while gradients have also been applied to the surrounding walls. The result? A fun place to play, watch and socialise. Read more here.

13. Musée du Quai Branly

© Virginia Duran
© Virginia Duran

Architect: Jean Nouvel

Location: (Google)

Year: 2006

Description: Many people (tourists) reach this spot by accident when trying to find the Eiffel Tower. However, this museum is quite important itself. Hybrid, composite, coloured, mysterious and joyous, Jean Nouvel’s building has in effect repeated the success from his victorious Institut du Monde Arabe(1988). The “green wall” on the exterior was designed and planted by Gilles Clément and Patrick Blanc and it’s worth a visit too. Read more here.

14. Docks de Paris

© Fred Romero licensed under CC BY 2.0
© Fred Romero licensed under CC BY 2.0

Architect: Jakob + MacFarlane

Location: 34 Quai d’Austerlitz (Google)

Year: 2010

Description: The wonderful job of Jakob + MacFarlane transformed a concrete shipping depot originally built in 1907 into a shinny museum of fashion and design. The architects are calling their design a “plug-over” as the new structure is a new external skin that enveloped the existing site on the sides and on top. The roof has also been developed using wooden decks and grassed areas. Read more here.

15. Philharmonie de Paris

© Guilhem Vellut licensed under cc-by-2.0
© Guilhem Vellut licensed under cc-by-2.0

Architect: Jean Nouvel

Location: 221 Avenue Jean Jaurès (Google)

Year: 2015

Description: This highly controversial project, Paris’ newest symphonic concert hall, is the home of Orchestre de Paris. It took a lot longer to build, at almost three times its original budget and, worst of all, on the day of the opening Jean Nouvel wasn’t present as he angrily claimed it was “not finished”. Though the exterior has received much criticism – aluminium panels in a basketweave design swirl tightly around the structure – the interior has been highly praised. Judge for yourself. Read more here.

16. La Seine Musical

© slam.photo licensed under CC BY-SA 2.0
© slam.photo licensed under CC BY-SA 2.0

Architect: Shigeru Ban and Jean de Gastines

Location: Île Seguin, 92100 Boulogne-Billancourt (Google)

Year: 2017

Description: Another structure dedicated to musical affairs – La Seine Musicale – which has received a wildly positive welcome by the general public. The facilities include an elevated egg-shaped auditorium for classical music, a larger modular concert hall, rehearsal rooms and an extensive roof garden. Much of the site’s daytime energy needs are supplied by a large mobile curved solar panel array that covers the smaller auditorium. Read more here.

17. Bourse de Commerce / Collection Pinault

© Jean-Pierre Dalbéra licensed under CC BY 2.0
© Jean-Pierre Dalbéra licensed under CC BY 2.0

Architect: Tadao Ando

Location:2 Rue de Viarmes (Google)

Year: Opening predicted for spring 2020

Description: François Pinault, who previously teamed up with Tadao Ando to open Venice’s Palazzo Grassi and Punta della Dogana, commissioned this exciting project which will soon open. Located at the Bourse de Commerce, an 18th-century rotunda that once held the city’s grain market and stock exchange, Collection Pinault Paris will host exhibitions from painting, sculpture, photography and video to installations. Ando designed the ambitious interior, where a cylindrical gallery will form the main exhibition space which will be set into the centre of the plan below the building’s domed ceiling. Read more here.

18. Galeries Lafayette Haussmann

Via Gallerie Lafayette Group
Via Gallerie Lafayette Group

Architect: Georges Chedanne and Ferdinand Chanut

Location:40 Boulevard Haussmann (Google)

Year: 1912

Description: The first Galeries Lafayette (the Harrods of France), opened here in 1912. Théophile Bader and his cousin Alphonse Kahn commissioned the architect Georges Chedanne and his pupil Ferdinand Chanut a lavish fashion store with a glass and steel dome and stunning Art Nouveau staircases. More than a century later, the building is still used for the same purpose and its oozing with greatness. Don’t miss the amazing views from its rooftop. If you liked this one, you might also want to visit the recently refurbished Galeries Lafayette Champs-Élyséesby BIG (2019). Read more here.

19. Hôtel Guimard

© Steve Cadman licensed under CC BY-SA 2.0
© Steve Cadman licensed under CC BY-SA 2.0

Architect: Hector Guimard

Location: 122 Avenue Mozart (Google)

Year: 1912

Description: This little building is a hidden jewel of the city. It was built as an Art Nouveau house Hector Guimard designed for himself and his wife after visiting the Hôtel Tassel in Brussels, designed by the über famous Victor Horta. Guimard later became known for designing the famous subway entrances (Pasteur, Porte Dauphine…) and also the Castel Béranger door at Rue Jean de la Fontaine which is worth a visit too. Unfortunately, the interiors can’t be visited but the original dining room suite can today be seen at the Petit Palais; the bedroom at the Museum of Fine Arts of Lyon; and the study at the Musée de l’École de Nancy. Read more here.

20. Les Orgues de Flandre

© Laurent Kronental
© Laurent Kronental

Architect: Martin van Trek

Location:24 Rue Archereau (Google)

Year: 1980

Description: Paris is full of Brutalist masterpieces but this is, in my opinion, one of the best. The Orgues de Flandre, which can be translated as the “Organs of Flanders”, are a group of residential buildings built from 1974 to 1980. What is really outstanding about this complex – and different to other residential houses of this kind around the world – is that Martin van Trek granted the private spaces (the apartments) a monumental status whilst leaving the public spaces in a secondary and more ordinary level. Controversial. Read more here.

21. Les Choux de Créteil

By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported
By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported

Architect: Gérard Grandval

Location:2 Boulevard Pablo Picasso (Google)

Year: 1974

Description: Another housing project in the suburbs of Paris that is worth a visit: Les Choux de Créteil. This group of ten cylindrical buildings each 15 stories in height is called Les Choux (the cabbages). The project was initiated in 1966, in an area which had been used for a century to produce much of the vegetables for Parisian tables although the name makes reference to the unusual shape of their balconies. The buildings’ unique shape is intended to be functional: the apartments’ living spaces are closer to the windows and the 2-meter-tall balconies provide outdoor access and privacy at the same time. Read more here.

22. Palace of Versailles

© Myrabella / Wikimedia Commons / CC BY-SA 3.0
© Myrabella / Wikimedia Commons / CC BY-SA 3.0

Architect: Louis Le Vau, Andre Le Notre and Charles Lebrun

Location:Place d’Armes, 78000 Versailles (Google)

Year: 1682

Description: The site began as Louis XIII’s hunting lodge before his son Louis XIV transformed and expanded it, moving the court and government of France to Versailles in 1682. Each of the three French kings who lived there until the French Revolution added improvements to make it more beautiful. Indeed it’s one of the most stunning European palaces. This is a classic that everyone should visit once in a lifetime. Read more here.

23. Villa Savoye

© Flickr User End User
© Flickr User End User

Architect: Le Corbusier

Location: 82 Rue de Villiers (Poissy) (Google)

Year: 1931

Description: This may be the one house that every architect knows in the world and with no doubt it is one of the most significant contributions to modern architecture in the 20th century. The house single handedly transformed Le Corbusier’s career as well as the principles of the International Style, becoming one of the most important architectural precedents in history. Originally built as a country retreat on behest of the Savoye family but it now belongs to the French state and therefore it can be visited. In fact, it’s free to visit on the 1st Sunday of every month. Read more here.

[BONUS]- Villa Dall’Ava

© Peter Aaron/OTTO
© Peter Aaron/OTTO

Architect: Office for Metropolitan Architecture (OMA)

Location:Avenue Clodoald, 92210 Saint-Cloud (Google)

Year: 1991

Description: Although it can’t be visited by any means, I felt this house had to be on the list. It was built in 1991 as a modern-expressionist house with two distinct apartments: One for the house owners and another for their daughter. There was an extra request: a swimming pool on the roof with a view of the Eiffel Tower. The strip windows and thin, repeated columns recall Le Corbusier’s Villa Savoye. Read more here.

Check these and other amazing buildings of Paris on the map below or download The Free Architecture Guide of Paris.

https://www.google.com/maps/d/embed?mid=1bfsCVXvWJjsQFsAVmnnw2iplprM

Editor’s Note: This article was originally published on August 14, 2019.

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Paris, the city that was born on the banks of the Seine, grew from a small island – Île de la Cité – to the vast metropolis that nowadays extends beyond Ménilmontant, the vingtième arrondissement.

The French capital has so much to offer. Centuries of history have left behind meaningful structures which also have been the background of love stories, wars and revolutions. Whether you are seeking to admire hidden spots, the well-known landmarks and jewels soon to be opened, or filling your personal story with them, you’ll find everything you want in this city.

This list, in no particular order, aims to provide some guidance and inspiration for your next trip to Paris. If you love architecture, dear friend, look no further.

Want to discover Paris’ architecture? Continue reading!

1. Centre Georges Pompidou

© GraphyArchy via Wikimedia Commons
© GraphyArchy via Wikimedia Commons

Architect: Renzo Piano

Location:19 Rue Beaubourg (Google)

Year: 1977

Description: This is one of the most iconic buildings in Paris and houses the Musée National d’Art Moderne which is the largest museum for modern art in Europe. Its exposed skeleton of brightly coloured tubes for mechanical systems was the beginning of a new era of architecture and it’s a must visit. Oh and don’t miss the views from the top floor, which has free admission the first Sunday of each month. Read more here.

2. Fondation Louis Vuitton Paris

By Iwan_Baan © Fondation Louis Vuitton
By Iwan_Baan © Fondation Louis Vuitton

Architect: Frank Gehry

Location:8 Avenue du Mahatma Gandhi (Google)

Year: 2014

Description: Louis Vuitton, the luxury French fashion house founded in 1854, has recently been opening stunning stores around the world: Louis Vuitton Matsuya Ginza (Jun Aoki, 2013), Louis Vuitton in Singapore(FTL Design Engineering Studio, 2012) and The Shops at Crystals (Daniel Libeskind, 2009) are some of the most stunning. This art museum is even more exciting as there is a cultural aspect to it in the design – not just a formal approach. Built on the edge of a water garden created especially for the project, it comprises an assemblage of white blocks (known as “the icebergs”) clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. Read more here.

3. Palais de Tokyo Expansion

© 11h45
© 11h45

Architect: Lacaton & Vassal

Location:13 Avenue du Président Wilson (Google)

Year: 2002

Description: The original Palais de Tokyo – built in 1937 for the International Exhibition of Arts and Technology of 1937 – attracted over 30 million people. It was known as Palais des Musées d’art moderne. However, after the event was over, the structure became neglected and eventually deteriorated. In 2001, Lacaton & Vassal breathed new life into it, the new expansion injected extra space and it went from 7000 to 22,000 square meters. Palais de Tokyo is now a brand new building dedicated to modern and contemporary art. The new Café, located on top of the Palais, has one of the best skyline views of Paris. Read more here.

4. Palais-Royal

© Magdalena Martin
© Magdalena Martin

Architect: Jules Hardouin-Mansart

Location:8 Rue de Montpensier (Google)

Year: 1639

Description: The Palais-Royal, originally the fancy home of Cardinal Richelieu, ended up in the King’s hands after his death in 1642 – Henry VIII had a similar episode with York Place and Cardinal Wolseley in 1530. Since then, this palace became the home of kings and queens to follow until the late 18th century. Today, the Palais-Royal serves as the seat of the Ministry of Culture (closed to the public) but it’s the southern end of the complex, polka-dotted with sculptor Daniel Buren’s 260 black-and-white striped columns, that has become the garden’s signature feature since 1986. Read more here.

5. Bibliothèque Nationale de France

© Davide Galli Atelier
© Davide Galli Atelier

Architect: Dominique Perrault

Location: Quai François Mauria (Google)

Year: 1995

Description: Designed as four open books, all facing one another, this public library is part of an ambitious long-term project: The Grands Projets. President François Mitterand aimed to create a new set of modern monuments for a city long defined by its architecture. Some of the constructions in this plan include the Arab World Institute, the Parc de la Villette and Pyramide at the Louvre. The library buildings define a symbolic and mythical place that reinforce the cultural importance in the urban fabric. Don’t miss the other Bibliothèque Nationale by Henri Labrouste(1875). Read more here.

6. Notre Dame Cathedral 

© Flickr user kosalabandara licensed under CC BY 2.0
© Flickr user kosalabandara licensed under CC BY 2.0

Architect: Manuelle Gautrand

Location: 6 Parvis Notre-Dame – Pl. Jean-Paul II (Google)

Year: 1345

Description: While its interior is closed off to visitors following the devastating fire of April 2019, this masterpiece of French Gothic architecture remains a must visit place in Paris. Over its long construction period numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. The Mémorial des Martyrs de la Déportation is just behind it, don’t miss it either. Read more here.

7. Eiffel Tower 

© Wikimedia user Jebulon (Public Domain)
© Wikimedia user Jebulon (Public Domain)

Architect: Gustave Eiffel

Location: Champ de Mars, 5 Avenue Anatole France (Google)

Year: 1889

Description: Time for a big classic. Despite being such a cliché, this spot is one of my favourites of the list as an architect. It was built in 1889 as the entrance arch to the 1889 World’s Fair, which was located in the nearby Trocadéro area. It is 324 metres (1,063 ft) tall and, at the time of its completion, the tallest man-made structure in the world – a title it held for 41 years. This monument represents the aspirations of a country and the technical skills of its creators, which I find inspiring. In addition, the atmosphere around the Eiffel Tower is magical. Read more here.

8. Sacré-Cœur Basilica

© Flickr User Pedro Szekely licensed under CC BY-SA 2.0
© Flickr User Pedro Szekely licensed under CC BY-SA 2.0

Architect: Paul Abadie

Location: 35 Rue du Chevalier de la Barre (Google)

Year: 1914

Description: You may think this Romano-Byzantine church is older than it looks, but it was actually built after the Eiffel Tower (1889). The appearance of Sacré Cœur’s design is a result of the conservative Catholic old guard and the secular, republican radicals. The apse mosaic Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world. Don’t miss the amazing skyline views from the dome (accessible through the exterior left side of the basilica). Read more here.

9. Le Grand Louvre

© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)
© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)

Architect: I.M. Pei

Location: Place du Carrousel (Google)

Year: 1989

Description: As mentioned in #5, in 1981, the newly elected French president, Francois Mitterrand, launched a campaign to renovate cultural institutions throughout France and one of the most advantageous of those projects was the renovation and reorganization of the Louvre. President Mitterrand commissioned the Chinese American architect I.M. Pei the task being the first time that a foreign architect was enlisted to work on the Louvre museum. The new structure – built in the same proportions of the famous Pyramid of Giza – alleviated the congestion from the thousands of daily visitors. Sunset is the best time to visit. Read more here.

10. Musée d’Orsay

© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)
© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)

Architect: Victor Laloux, Lucien Magne and Émile Bénard

Location:1 Rue de la Légion d’Honneur (Google)

Year: 1900

Description: This imposing museum was originally built in 1900 as the former Gare d’Orsay, a Beaux-Arts railway station. And although its function was transformed, it does look like a railway station. It houses the largest collection of impressionist and post-impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. This and Marmottan Monet Museum are my favorites in Paris. Don’t miss the amazing skyline views from the clock tower. Read more here.

11. Fondation Le Corbusier

By Cemal Emden © FLC_ADAGP
By Cemal Emden © FLC_ADAGP

+Maison-Atelier Ozenfant, Immeuble Porte Molitor and Villa Stein-de-Monzie

Architect: Le Corbusier

Location: (Fondation Le Corbusier) 8-10 Square du Docteur Blanche (Google)

Year: 1923

Description: Of the countless buildings Le Corbusier designed in France, most of his housing examples are located in Paris. It would be unfair to just list one of them and that’s why I included some of his most representative works. Where to start? Definitely at Maison La Roche and Maison Jeanneret (1923–24), a pair of semi-detached houses that were Le Corbusier’s third commission in Paris. Fondation Le Corbusier is now used as a museum containing about 8,000 original drawings, studies and plans by Le Corbusier. His Paris home, where he lived until 1965, is located at Immeuble Porte Molitor (Public tours only by appointment). Read more here.

12. Pigalle Basketball

© Sebastien Michelini
© Sebastien Michelini

Architect: Ill-Studio

Location:17 Rue Duperré (Google)

Year: 2017

Description: This exciting urban intervention explores the relationship between sport, art and culture by changing the original primary colours with gradients of blue, pink, purple and orange. Blocks of red, yellow, blue and white from the last iteration have been painted over with brighter hues. The rubber court surface blends from blue at the ends to pink in the centre, while gradients have also been applied to the surrounding walls. The result? A fun place to play, watch and socialise. Read more here.

13. Musée du Quai Branly

© Virginia Duran
© Virginia Duran

Architect: Jean Nouvel

Location: (Google)

Year: 2006

Description: Many people (tourists) reach this spot by accident when trying to find the Eiffel Tower. However, this museum is quite important itself. Hybrid, composite, coloured, mysterious and joyous, Jean Nouvel’s building has in effect repeated the success from his victorious Institut du Monde Arabe(1988). The “green wall” on the exterior was designed and planted by Gilles Clément and Patrick Blanc and it’s worth a visit too. Read more here.

14. Docks de Paris

© Fred Romero licensed under CC BY 2.0
© Fred Romero licensed under CC BY 2.0

Architect: Jakob + MacFarlane

Location: 34 Quai d’Austerlitz (Google)

Year: 2010

Description: The wonderful job of Jakob + MacFarlane transformed a concrete shipping depot originally built in 1907 into a shinny museum of fashion and design. The architects are calling their design a “plug-over” as the new structure is a new external skin that enveloped the existing site on the sides and on top. The roof has also been developed using wooden decks and grassed areas. Read more here.

15. Philharmonie de Paris

© Guilhem Vellut licensed under cc-by-2.0
© Guilhem Vellut licensed under cc-by-2.0

Architect: Jean Nouvel

Location: 221 Avenue Jean Jaurès (Google)

Year: 2015

Description: This highly controversial project, Paris’ newest symphonic concert hall, is the home of Orchestre de Paris. It took a lot longer to build, at almost three times its original budget and, worst of all, on the day of the opening Jean Nouvel wasn’t present as he angrily claimed it was “not finished”. Though the exterior has received much criticism – aluminium panels in a basketweave design swirl tightly around the structure – the interior has been highly praised. Judge for yourself. Read more here.

16. La Seine Musical

© slam.photo licensed under CC BY-SA 2.0
© slam.photo licensed under CC BY-SA 2.0

Architect: Shigeru Ban and Jean de Gastines

Location: Île Seguin, 92100 Boulogne-Billancourt (Google)

Year: 2017

Description: Another structure dedicated to musical affairs – La Seine Musicale – which has received a wildly positive welcome by the general public. The facilities include an elevated egg-shaped auditorium for classical music, a larger modular concert hall, rehearsal rooms and an extensive roof garden. Much of the site’s daytime energy needs are supplied by a large mobile curved solar panel array that covers the smaller auditorium. Read more here.

17. Bourse de Commerce / Collection Pinault

© Jean-Pierre Dalbéra licensed under CC BY 2.0
© Jean-Pierre Dalbéra licensed under CC BY 2.0

Architect: Tadao Ando

Location:2 Rue de Viarmes (Google)

Year: Opening predicted for spring 2020

Description: François Pinault, who previously teamed up with Tadao Ando to open Venice’s Palazzo Grassi and Punta della Dogana, commissioned this exciting project which will soon open. Located at the Bourse de Commerce, an 18th-century rotunda that once held the city’s grain market and stock exchange, Collection Pinault Paris will host exhibitions from painting, sculpture, photography and video to installations. Ando designed the ambitious interior, where a cylindrical gallery will form the main exhibition space which will be set into the centre of the plan below the building’s domed ceiling. Read more here.

18. Galeries Lafayette Haussmann

Via Gallerie Lafayette Group
Via Gallerie Lafayette Group

Architect: Georges Chedanne and Ferdinand Chanut

Location:40 Boulevard Haussmann (Google)

Year: 1912

Description: The first Galeries Lafayette (the Harrods of France), opened here in 1912. Théophile Bader and his cousin Alphonse Kahn commissioned the architect Georges Chedanne and his pupil Ferdinand Chanut a lavish fashion store with a glass and steel dome and stunning Art Nouveau staircases. More than a century later, the building is still used for the same purpose and its oozing with greatness. Don’t miss the amazing views from its rooftop. If you liked this one, you might also want to visit the recently refurbished Galeries Lafayette Champs-Élyséesby BIG (2019). Read more here.

19. Hôtel Guimard

© Steve Cadman licensed under CC BY-SA 2.0
© Steve Cadman licensed under CC BY-SA 2.0

Architect: Hector Guimard

Location: 122 Avenue Mozart (Google)

Year: 1912

Description: This little building is a hidden jewel of the city. It was built as an Art Nouveau house Hector Guimard designed for himself and his wife after visiting the Hôtel Tassel in Brussels, designed by the über famous Victor Horta. Guimard later became known for designing the famous subway entrances (Pasteur, Porte Dauphine…) and also the Castel Béranger door at Rue Jean de la Fontaine which is worth a visit too. Unfortunately, the interiors can’t be visited but the original dining room suite can today be seen at the Petit Palais; the bedroom at the Museum of Fine Arts of Lyon; and the study at the Musée de l’École de Nancy. Read more here.

20. Les Orgues de Flandre

© Laurent Kronental
© Laurent Kronental

Architect: Martin van Trek

Location:24 Rue Archereau (Google)

Year: 1980

Description: Paris is full of Brutalist masterpieces but this is, in my opinion, one of the best. The Orgues de Flandre, which can be translated as the “Organs of Flanders”, are a group of residential buildings built from 1974 to 1980. What is really outstanding about this complex – and different to other residential houses of this kind around the world – is that Martin van Trek granted the private spaces (the apartments) a monumental status whilst leaving the public spaces in a secondary and more ordinary level. Controversial. Read more here.

21. Les Choux de Créteil

By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported
By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported

Architect: Gérard Grandval

Location:2 Boulevard Pablo Picasso (Google)

Year: 1974

Description: Another housing project in the suburbs of Paris that is worth a visit: Les Choux de Créteil. This group of ten cylindrical buildings each 15 stories in height is called Les Choux (the cabbages). The project was initiated in 1966, in an area which had been used for a century to produce much of the vegetables for Parisian tables although the name makes reference to the unusual shape of their balconies. The buildings’ unique shape is intended to be functional: the apartments’ living spaces are closer to the windows and the 2-meter-tall balconies provide outdoor access and privacy at the same time. Read more here.

22. Palace of Versailles

© Myrabella / Wikimedia Commons / CC BY-SA 3.0
© Myrabella / Wikimedia Commons / CC BY-SA 3.0

Architect: Louis Le Vau, Andre Le Notre and Charles Lebrun

Location:Place d’Armes, 78000 Versailles (Google)

Year: 1682

Description: The site began as Louis XIII’s hunting lodge before his son Louis XIV transformed and expanded it, moving the court and government of France to Versailles in 1682. Each of the three French kings who lived there until the French Revolution added improvements to make it more beautiful. Indeed it’s one of the most stunning European palaces. This is a classic that everyone should visit once in a lifetime. Read more here.

23. Villa Savoye

© Flickr User End User
© Flickr User End User

Architect: Le Corbusier

Location: 82 Rue de Villiers (Poissy) (Google)

Year: 1931

Description: This may be the one house that every architect knows in the world and with no doubt it is one of the most significant contributions to modern architecture in the 20th century. The house single handedly transformed Le Corbusier’s career as well as the principles of the International Style, becoming one of the most important architectural precedents in history. Originally built as a country retreat on behest of the Savoye family but it now belongs to the French state and therefore it can be visited. In fact, it’s free to visit on the 1st Sunday of every month. Read more here.

[BONUS]- Villa Dall’Ava

© Peter Aaron/OTTO
© Peter Aaron/OTTO

Architect: Office for Metropolitan Architecture (OMA)

Location:Avenue Clodoald, 92210 Saint-Cloud (Google)

Year: 1991

Description: Although it can’t be visited by any means, I felt this house had to be on the list. It was built in 1991 as a modern-expressionist house with two distinct apartments: One for the house owners and another for their daughter. There was an extra request: a swimming pool on the roof with a view of the Eiffel Tower. The strip windows and thin, repeated columns recall Le Corbusier’s Villa Savoye. Read more here.

Check these and other amazing buildings of Paris on the map below or download The Free Architecture Guide of Paris.

https://www.google.com/maps/d/embed?mid=1bfsCVXvWJjsQFsAVmnnw2iplprM

Editor’s Note: This article was originally published on August 14, 2019.

Who Should Win the 2021 Pritzker Prize?

Who Should Win the 2021 Pritzker Prize?, Some of the potential winners of Pritzker Prize 2020, according to our readers in 2020 poll. Image
Some of the potential winners of Pritzker Prize 2020, according to our readers in 2020 poll. Image

Once The Hyatt Foundation has revealed early March as the announcement date of the Pritzker Prize 2021 Winner, the speculation has begun to swirl around which architect will be named the next laureate of the trophy. What used to be a somewhat predictable award has become less so in recent years, and if you look at the list of people who have won before, you will realize that anything is possible.

We want to hear from our readers —not just about who probably will, but about who should win the prize, and why. Cast your vote in the poll below.

Pritzker Prize 2021English: Each year we ask our audience who they think will win the most relevant recognition in architecture. It’s time to weigh in again.

Español: Cada año le preguntamos a nuestra audiencia quién debería ganar el Premio Pritzker. Es tiempo de conocer tu opinión.

Portugués: Todos os anos pedimos aos nossos leitores suas opiniões sobre quem deveria ganhar o Prêmio Pritzker. Participe, a seguir.* Required*

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Paris to Turn Champs-Élysées into Expansive Urban Garden

Paris to Turn Champs-Élysées into Expansive Urban Garden, Courtesy of PCA Stream
Courtesy of PCA Stream

Paris Mayor Anne Hidalgo has approved a comprehensive plan to transform Champs-Élysées, the city’s most famous avenue. Though the €250m makeover will not happen before the French capital hosts the 2024 Summer Olympics, the proposal aims to turn a 1.2 mile stretch of central Paris into an expansive garden. The proposal includes reducing space for vehicles, turning roads into pedestrian green areas, and creating tunnels of trees to improve air quality.

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Courtesy of PCA Stream
Courtesy of PCA Stream

Plans for the latest iteration of Champs-Élysées were unveiled in 2019 by local community leaders and businesses, while a major redesign has been proposed since 2018. The redesign aims to address the avenue’s “loss of splendor” over the last 30 years. Architect Philippe Chiambaretta of PCA-Stream created the latest plans for the development proposal. Chiambaretta said the Champs-Élysées has become a place reflecting the problems faced by cities around the world, namely pollution, the rise in transportation by car, tourism and consumerism.

Courtesy of PCA Stream
Courtesy of PCA Stream
Courtesy of PCA Stream
Courtesy of PCA Stream

The Champs-Élysées’ name is French for the mythical Greek paradise, the Elysian Fields. As The Guardian notes, it was originally a mixture of swamp and small gardens. It was renamed the Champs-Élysées in 1709 and extended. However, today it is famous for “its expensive cafes, luxury shops, high-end car salesrooms, commercial rents among the highest in the world and the annual Bastille Day military parade.” The new plans include redesigning the famous Place de la Concorde at the south-east end of the avenue.

The transformation of the Champs-Élysées aims to be complete by 2030.

News via The Guardian

BIG Selected to Design a Socially Engaging Hub for the Johns Hopkins University

BIG Selected to Design a Socially Engaging Hub for the Johns Hopkins University, Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Johns Hopkins University has selected BIG to design its new Student Center, regenerating the heart of its campus and reviving the social experience, from a shortlisted list of 4 offices, after a months-long international competition. Entitled “The Village”, the proposal is an “open, modern, and welcoming facility envisioned as a social engagement hub for all members of the Hopkins community”.

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Set to begin construction in spring 2022 and to be completed by fall 2024, the new Hopkins Student Center, received overwhelmingly positive reviews from students, staff, and alumni, who contributed to the selection process. BIG’s third academic building in the United States -following the Isenberg School of Management Business Innovation Hub for the University of Massachusetts Amherst and The Heights Building for Arlington Public Schools, both completed in 2019- is in collaboration with Shepley Bulfinch as Architect of Record, along with Rockwell Group for interior design and Michael Van Valkenburg Associates for landscape design.

Having taught at a number of world-renowned universities on the East Coast, it is an incredible honor to have been chosen to create the framework for the life of the Johns Hopkins students. We have attempted to imagine and design the Campus Center like a village condensed from a plethora of different spaces and pavilions for the greatest possible diversity of activities, interests, and sub-cultures. — Bjarke Ingels, Founder & Creative Director, BIG-Bjarke Ingels Group.


Related Article

BIG Designs AI CITY, an Innovation Campus Hosting Headquarters of Tech Firm in Chongqing, China


Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Supporting the university’s sustainability goals, the imagined scheme was praised for its open feel, connections to surrounding exterior spaces, abundance of natural daylight, and integrated sustainable features. The 150,000 square foot building, located just south of the iconic open space on the Johns Hopkins, will encompass spaces for relaxation and socialization, creative and performing arts spaces, student resources and support services, lounges, a digital media center, a performance space with seating for 200 people, and a dynamic dining hall. Generating connectivity with the neighboring Charles Village community, the project creates a new dynamic entry point, at the crossroads of student activity. 

Often the greatest ideas and breakthroughs occur away from the desk, when minds have a chance to wander, to play, to riff with others. The new Hopkins Student Center is designed to provoke the sometimes-necessary distractions that complement rigorous academic life – a place for a future generation of Salks, Curies, and Cricks to unlock their next great discovery. — Leon Rost, Partner, BIG-Bjarke Ingels Group.

Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

“Not academically focused, but entirely social by design, Open to all, reserved for none, and boasting the kind of flexible spaces that invite connection and collaboration” states Ronald J Daniels, President, Johns Hopkins University. The proposal imagined as a central living room is surrounded by a collection of spaces tailored to the needs of the community. With entry from all four levels, the building maintains a friendly human scale, while the open façade reveals dining areas, spilling out onto the plaza.

Regarding the structure, the mass timber provides a warm and acoustically comfortable environment as light filters in between the photovoltaic roof panels. In fact, the open design allows light to enter the clerestory windows and leaves all student activities and school spirit on display. Finally, the indoor area of “The Village” is comprised of a cluster of flexible spaces, which open out on to four rejuvenated public spaces, and the landscape around the building generates outdoor spaces for student activities and events.

Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Hopkins Student Center

  • Name: Hopkins Student Center
  • Type: Competition
  • Size: 13,935m2
  • Location: Baltimore, Maryland, US
  • Client: Johns Hopkins University
  • Collaborators: Shepley Bulfinch (Architect of Record), Rockwell Group (Interior Architects), Michael Van Valkenburgh Associates (Landscape Architects)
  • Architect: BIG – BJARKE INGELS GROUP
  • Partners-in-Charge: Bjarke Ingels, Leon Rost
  • Associate-in-Charge: Elizabeth McDonald
  • Project Leaders: Jason Wu, Lawrence Olivier Mahadoo
  • Team: Alex Wu, Xi Zhang, Chia-Yu Liu, Guillaume Evain, Jakub Kulisa, Kig Veerasunthorn, Mike Munoz, Tom Lasbrey, Tony Saba Shiber, Blake Smith, Corliss Ng, Florencia Kratsman, Francesca Portesine, Jamie Maslyn Larson, Gabriel Jewell-Vitale, Kevin Pham, Josiah Poland, Jialin Yuan, Ken Chongsuwat, Duncan Horswill, Ben Caldwell, Margaret Tyrpa, Terrence Chew, Tracy Sodder, Chris Pin, Alexander Matthias Jacobson, Tore Banke, Frederic Lucien Engasser, Xingyue Huang,Jesper Petersen, Kaoan Hengles

Architectural Photography and Scale: Human Figure as an Essential Assessment Tool

Architectural Photography and Scale: Human Figure as an Essential Assessment Tool, © CreatAR Images
© CreatAR Images

The incorporation of the human figure is one of the most effective tools used in architectural photography: it helps the viewer decipher the scale of work and assess its amplitude. While it successfully communicates a rough idea of the measurements of the elements in the picture, it also helps architecture become more relatable and accessible. People engage better with the built environment when it is populated, mainly because the human sense of society and community is the cornerstone of our civilization. With this in mind, we are showcasing a selection of our favorite photographs where the human figure takes center stage, enhancing our reading of architecture.

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Human Scale in Parks

Due to the size of parks and landscapes projects, it is hard to give a proper sense of the scale when taking photographs. There are a lot of elements that can help to have a better understanding of the proportions of an intervention, but capturing the space with people is the most efficient way to help the viewer have a point of reference.  

V-Plaza Urban Development / 3deluxe architecture

© Norbert Tukaj
© Norbert Tukaj

Public Park in Tlalnepantla / PRODUCTORA

© Erick Mendez
© Erick Mendez

Jaworznickie Planty Water Playground / RS + Robert Skitek

© Tomasz Zakrzewski
© Tomasz Zakrzewski

Loop of Wisdom Museum & Reception Center / Powerhouse Company

© Jonathan Leijonhufvud Architectural Photography
© Jonathan Leijonhufvud Architectural Photography

Azatlyk, Central Square of Naberezhnye Chelny / DROM

© Dmitry Chebanenko
© Dmitry Chebanenko

Human Scale in Public Spaces

What would public spaces be without people? Viewers engage better with a space when it is populated; and when they get to see the different architectural possibilities. 

Confluence Park / Lake|Flato Architects + Matsys Design

© Casey Dunn
© Casey Dunn

Jojutla Central Gardens / MMX

© Dane Alonso
© Dane Alonso

Vestre Fjord Park / ADEPT

© Rasmus Hjortshøj
© Rasmus Hjortshøj

PARK PARK / Public City Architecture

© Kokemor Studio
© Kokemor Studio

Haduwa Stage / [applied] Foreign Affairs, Institute of Architecture, University of Applied Arts Vienna

© Julien Lanoo
© Julien Lanoo

The Surface Interactive Installation / stpmj

© Jihun Bae
© Jihun Bae

Park ‘n’ Play / JAJA Architects

© Rasmus Hjortshøj
© Rasmus Hjortshøj

Human Scale in Pavilions

Pavilions usually are very expressive and artistic spaces, in which measurements and scales tend to get lost in pictures. Without a human figure, it is very hard to give the viewers a real sense of the size and use of these types of projects. 

Norway Tells Pavilion / LCLA Office + Manthey Kula Architects

© LCLA Office
© LCLA Office

Reflektor Pavilion / Atelier ARI

© Yves Bercez
© Yves Bercez

Escape Vehicle #9- ICE / Studio Morison

Courtesy of Studio Morison
Courtesy of Studio Morison

Furniture Pavilion S and its Afterlife / Rooi Design and Research pavilion exterior facade

© Feng Shao
© Feng Shao

AirMesh Pavilion / AIRLAB

Courtesy of AirMesh Pavilion
Courtesy of AirMesh Pavilion

Frame Pavilion / Menthol Architects

© Anush Aleksanyan, Edvard Budnikov, Rastsislau Piakhouski
© Anush Aleksanyan, Edvard Budnikov, Rastsislau Piakhouski

Human Scale in Public Buildings

Adding users into public buildings, not only helps to scale architecture, but also gives the viewer a chance to understand the use of a building, making architecture more accessible and relatable. 

Maya Somaiya Library, Sharda School / Sameep Padora & Associates

© Edmund Sumner
© Edmund Sumner

Tianjin Binhai Library / MVRDV + Tianjin Urban Planning and Design Institute

© Ossip van Duivenbode
© Ossip van Duivenbode

House for Architectural Heritage / Noura Al Sayeh & Leopold Banchini Architects

© Dylan Perrenoud
© Dylan Perrenoud

Tencent Beijing Headquarters / OMA

© Ossip van Duivenbode
© Ossip van Duivenbode

V&A Museum / AL_A

© Hufton + Crow
© Hufton + Crow

Idea Exchange Old Post Office Library / RDHA

© Tom Arban
© Tom Arban

Este artículo es parte del Tema del mes en ArchDaily: Escala Humana. Cada mes exploramos un tema en profundidad a través de artículos, entrevistas, noticias y obras. Conoce más sobre nuestros temas aquí. Y como siempre, en ArchDaily valoramos las contribuciones de nuestros lectores. Si quieres postular un artículo o una obra, contáctanos.

MVRDV-designed lingerie store in Paris uses transparent glass floor for a more “revealing” design approach


Photos by Ossip van Duivenbode.

MVRDV has completed a new flagship store in Paris for French lingerie brand Etam, renovating a 19th-century Haussmann building by removing its internal barriers and adding a glass floor to allow light to fill the interior.

The project sits at a corner site on Boulevard Haussmann, in one of the prime shopping locations in Paris near the Opera Garnier. MVRDV cut back the exterior of the building to highlight its classical appearance whilst allowing natural light to enter the store at both ends.

This “stripped down” approach moves to the interior, where the design reveals the original stone structure through the removal of interior walls and part of the mezzanine floor above. At ground level, a glass floor stretches as one of the project’s defining features. It allows light to enter the basement level and connects visitors at the ground level to the level below and vice versa.

The floor is treated with a special film that makes it transparent when viewed at an angle, but clouded when viewed directly above or below, MVRDV said in a statement. This is intended to provide privacy and prevent vertigo for those standing on the floor.

Mezzanine level
Ground level
Basement level

“‘Unravelling beauty’ is almost a generic and eternal value that can be learned somehow from the world of lingerie. The revealing – but directional – glassification of the store allows for a delicate balance between transparency and privacy, for intimacy and distance, unravelling the beauty of Haussmann and Etam’s products, users, and visitors,” said MVRDV Founding Partner Winy Maas in a statement. “In the stores we design, we often like to try new, unexpected materials and love to play with different types of glass. The Etam flagship store is the first time we have brought these approaches to a building where so much of the existing structure must be maintained.”

Section

OMA / Reinier de Graaf’s Residential Towers, Norra Tornen, Wins the International Highrise Award 2020

© Laurian Ghinitoiu, Courtesy of OMA

The International Highrise Award (IHA), organized by the city of Frankfurt and the Deutsches Architekturmuseum (DAM), has selected Norra Tornen, the residential towers designed by OMA / Reinier de Graaf as the winner of its ninth edition. Granted every 2 years, to architects and developers for buildings of minimum 100 meters in height, completed in the last two years, Norra Tornen was selected from 31 projects from 14 countries.

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Designed by OMA and led by Reinier de Graaf, with Alex de Jong, Michel van de Kar, and Roza Matveeva, with Oscar Properties as developers on board, Norra Tornen was awarded the International Highrise Award by an international jury consisting of architects, structural engineers, and real estate specialists. Criteria of evaluation included the overall narrative, the sculptural qualities, the structural concept, and the mix of uses, among others. The project that has received international attention is the “result of a land allocation competition held by the City of Stockholm in 2013, won by Oscar Properties”.

© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA

OMA’s first built project in Sweden, Norra Tornen is currently the highest residential building in Stockholm’s city center. On the accomplishment, Reinier de Graaf, OMA Partner in Charge of the project stated that “For me, the award came somewhat unexpectedly since I never thought of the Norra Tornen towers as high-rise buildings. They are different from the conventional idea of a skyscraper. They are not monumental but homely, their aesthetics are informal and they rely on repetition only to produce diversityMoreover, Peter Cahorla Schmal, Director of the Deutsches Architekturmuseum (DAM) added that “Norra Tornen is a refreshing entrance to the city, recalling structuralist models of brutalism from the 1960s such as the Habitat from Expo67 in Montreal, skillfully transforming them and enriching the city with a new urban dominant, with apartments for all.


Related Article

Five Projects Named Finalists for the 2020 International Highrise Award


© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA

Norra Tornen

  • Dates
  • Competition: 2013
  • Groundbreaking (Innovationen): December 2015
  • Groundbreaking (Helix): December 2016
  • Completion (Innovationen): December 2018
  • Completion (Helix): December 2020
  • Program
  • Two residential towers: Helix and Innovationen
  • 320 apartments 24,555 m²
  • Retail 961 m² Services 895 m² Technical spaces 2,300m²
  • Data
  • Plot Area (Helix): 575 m²
  • Plot Area (Innovationen): 660 m²
  • Net floor area (Helix): 14,039 m²
  • Net floor area (Innovationen): 17,787 m²
  • Net floor area (total): 31,826 m²
  • Gross floor area (Helix): 18,820 m²
  • Gross floor area (Innovationen): 23,479 m²
  • Gross floor area (total): 42,299 m²
  • Height (Helix): 110 m (32 floors)
  • Height (Innovationen): 125 m (36 floors)
  • Materials
  • Façade: Colored concrete ribbed façade, brushed with an exposed multi-colored aggregate pebble mix.

Accessibility at the new U.S. Olympic and Paralympic Museum reviewed

The United States Olympic and Paralympic Museum in Colorado Springs, designed by Diller Scofidio + Renfro. Photo: Jason O’Rear.

The museum’s other notable attribute is its high level of accessibility. The architects borrowed inspiration from the Guggenheim Museum, which invites visitors to take an elevator to the top floor and then descend along ramps as they explore galleries. There are no steps up or down, and the goal is to eliminate any differences in the museum experience among people with varying physical abilities. — The New York Times

For the NYT, Ray Mark Rinaldi reviews the DS+R-designed United States Olympic and Paralympic Museum with a special focus on accessibility. “Accommodations are the norm,” Rinaldi writes. “Ramps are low-grade and extra wide to fit two wheelchairs at the same time. Sign language interpreters appear in the corner of videos. Cane guards double as benches in the building’s spacious atrium.”

Previously on Archinect: Twisting forms and ramped galleries define DS+R’s US Olympics and Paralympics Museum in Colorado

The 60,000-square-foot museum complex in Colorado Springs, Colorado opened to the public in July

Is It Possible To Turn Plastic Waste Into Affordable Housing?


Save this article

Is It Possible To Turn Plastic Waste Into Affordable Housing?, Courtesy of Othalo
Courtesy of Othalo

For decades, companies have relied on disposable plastic packaging to bag and contain products worldwide. Today, the staggering detrimental effects of this plastic dependence are well-known: since the 1950’s, over 9 billion tons of plastic have been produced, only 9% of which was recycled; around the world, one million plastic bottles are bought every minute and two million plastic bags are used every minute; and per the Plastic Pollution Coalition, by 2050, the oceans will contain more plastic than fish by weight. Moreover, plastic is a petroleum product, and its production only further contributes to the devastating climate effects of mass fossil fuel use.

As concerns over pollution and global warming escalate, other humanitarian issues, notably homelessness, remain equally pressing. According to the United Nations Human Settlements Program, 1.6 billion people around the world live in inadequate housing, and available data suggests that over 100 million people have no housing at all. In Sub-Saharan Africa alone, the immediate need for low-cost housing is 160 million units and is expected to increase to 350 million by 2050. Moreover, COVID-19 has only exacerbated this issue of homelessness and the houseless have been especially vulnerable to contracting the disease. Thus, on World Habitat Day earlier this month, UN-Habitat launched a partnership with the Norwegian startup Othalo to combat both issues—plastic pollution and homeless—at once.

Courtesy of Othalo
Courtesy of Othalo

Othalo, formally established in 2019, is known for its patented technology that mass produces building systems from recycled plastic waste. These buildings can include housing, refugee shelters, temperature controlled mobile storage units for food and medicine, schools, and hospitals. Moreover, all of these structures are affordable, sustainable, eco-friendly, and meet modern living standards—and are all made of recycled plastic. A single 60 square meter home upcycles eight tons of plastic; with the amount of plastic waste currently polluting the planet, one billion Othalo homes could be manufactured.

Furthermore, according to a press video by Othalo, these fabricated building systems are designed to be flexible and can be molded to meet endless possibilities. Othalo’s designers created a series of modules that can be locked together, permitting a wide variety of buildings to be made from these core components. In the video, it suggests whole communities of Othalo plastic housing designed to meet the needs of the surrounding area.

Courtesy of Othalo
Courtesy of Othalo

The founder of Othalo, Frank Cato Lahti, has worked on developing this technology since 2016 in partnership with SINTEF and the University in Tromsø. Now, he has also teamed up with architect Julien De Smedt and Young Global Leader Silje Vallestad. From an architectural standpoint, De Smedt said of the Othalo project: “In thinking new environments we will set our focus towards the co-creation of living conditions in direct partnership with the local communities and end users. What we find particularly uplifting in our approach as a company and as architects is the desire to bridge the manufacturing world with the one of the local crafts and culture.” As the project continues to unfold now in partnership with UN-Habitat, it becomes more urgent than ever that the company adheres to its stated goals.

Why Choose Modular Construction?

Why Choose Modular Construction?, Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)

As every professional in the building industry knows, construction can be a costly and endlessly time-consuming endeavor. Delays are almost more frequent than on-time construction, and can be induced by extensive bureaucratic requirements, weather and other unexpected circumstances, inadequate planning, too few personnel, or a whole host of other causes. Lengthy construction projects can also negatively impact public perception of a project even before it has been built, especially if the projects experience delays or inconvenience those who live or work close to the building site. Moreover, some projects simply need to be built along a faster timeline than is typically feasible for a traditional construction project. Thankfully, there exists a solution for those seeking to drastically reduce construction times: modular construction.

© Jesus Granada
© Jesus Granada
© Dennis Lo
© Dennis Lo

What does ‘modular construction’ mean exactly?

Per the Modular Building Institute, the foremost resource on the topic, “modular construction is a process in which a building is constructed off-site, under controlled plant conditions, using the same materials and designing to the same codes and standards as conventionally built facilities – but in about half the time.” Modular construction is also a bit of an umbrella term that includes a couple of different types of construction:

  • Volumetric modular construction (preferred by the Modular Building Institute) is a process in which entire rooms or sections of rooms—complete with walls, floors, and ceilings—are built in a factory setting and then transported to a final site for assembly. This type of construction is used for both permanent and relocatable modular projects (buildings that aren’t designed to be moved versus those that are; think a hotel versus a temporary classroom).
  • Panelized construction is a process in which interior and/or exterior wall panels are built in a factory setting and then transported to and arranged on the building site. The rest of the building is constructed on-site.
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)

What are the benefits of modular construction compared to traditional construction methods? Is it really cost-saving? 

Modular construction certainly can save costs, but that isn’t its primary benefit. The primary benefit of modular construction is time saving and faster return on investment. Since modular construction allows for industrialized assembly that happens concurrently with site preparation, the total time it takes to build a structure can be dramatically reduced. Often by the time the site is ready (foundation levelled, plumbing in place, concrete poured, etc.) the factory-built modules are ready to be placed. A modularly-built hotel, for example, can open its doors and start generating revenue 30%-50% sooner than a traditionally-built hotel.

Other benefits include greater worker safety (workers are all working in a safe, controlled environment as opposed to working at precarious heights and/or in less controlled environments), improved productivity, increased schedule certainty (late change orders and weather delays are greatly minimized with modular construction), and improved cost predictability.

© Amy Barkow
© Amy Barkow
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)

Is modular construction sustainable?

Modular construction is considered a more sustainable option than traditional construction methods for a few reasons:

  • Greater flexibility and reuse. Modular buildings can be disassembled and the modules relocated or refurbished for new use, reducing the demand for raw materials and minimizing the amount of energy expended to meet the new need. 
  • Less material waste. When building in a factory, waste is eliminated by recycling materials, controlling inventory, and protecting building materials. 
  • Improved air quality. Because the modular structure is substantially completed in a factory-controlled setting using dry materials, the potential for high levels of moisture being trapped in the new construction is eliminated.
© Jan Bitter
© Jan Bitter
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)

Can it be used for any type of building? In which cases is it convenient to choose modular construction rather than traditional methods?

Any type of building can be built modularly. But to do so, the building has to be conceived of and designed as such. Modular construction is often chosen when time is of the essence or space is at a premium. For example, in Europe, urban lots are very often constrained by roads and other buildings, so building traditionally (bringing materials and workers onsite for an extended period of time) can be prohibitive. With modular construction, you need a crane and far less personnel to erect the building in less time. And, in tight urban locations, the reduction of noise pollution is an added benefit.

Courtesy of Ola Roald Arkitektur
Courtesy of Ola Roald Arkitektur
Courtesy of Modular Building Institute (MBI)
Courtesy of Modular Building Institute (MBI)

What are the specific technical requirements to adopt it? For example, are there security requirements or design constraints?

Whereas traditional construction can be a more fluid process wherein design changes are introduced even after construction has begun (often causing delays), modular construction requires design professionals to collaborate and complete their work upfront. It’s during this process that modular construction—permanent modular construction, most notably—usually relies on advanced BIM to assess energy performance and identify the most cost-effective efficiency measures. The designs are then turned over to the manufacturer for industrialized prefabrication and construction.

© Guilherme Jordani
© Guilherme Jordani

As far as design constraints, modular buildings are built to the same building codes and specifications as traditional buildings and are virtually indistinguishable from their “stick-built” counterparts. From single-family homes to multi-story office buildings, modular construction can be used anywhere.

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