On the northern side of the site, three residential towers capping out at 95, 80 and 65 stories will comprise hotel, affordable housing, retail and a community center. The southern block will be more commercial-oriented, with two new office towers and the reclad Toronto Star building.
The development will connect to the Toronto’s underground pedestrian system, the PATH, as well as public transportation and simple, safe pedestrian and cyclist infrastructure.
“We are looking forward to developing this landmark community on Toronto’s revitalized waterfront”, said Micheal De Cotiis, President and CEO of Pinnacle Internationa.
The first phase will encompass the 65-story tower, and which is expected to break onto the market in the next few months, with subsequent phases to follow.
The Greenwich Design District is the next phase in London‘s largest single regeneration project – a new creative hub providing affordable workspaces and studios. Eight up and coming architecture practices have ‘blindly’ designed two buildings each, independently from one and other. The result is an amalgamation of ‘architectural anarchy’ and a ‘neighborhood of playful contrasts.’
Urban developers Knight Dragon are coordinating the entire development of Greenwich Peninsula, celebrating the diversity of art, design, technology, music, and food industries that this innovative district will be the home of. The mix of architecture stays true to the ideals of the district, presenting a provocative front of ‘unexpected contrasts’ brought together by the same natural paving throughout the pedestrianized quarter designed by Schulze+Grassov to encourage communication and interaction between the public.
Open studios are set around a large public square with workshop space starting at £10 per square foot, allowing the creative economy to grow whilst the businesses trade and intersect. As well as the studios for 1,800 of London‘s creatives, the district will host a market hall, basketball terrace on the roof and retail spaces for the work produced in the district.
The architecture firms that were involved are listed below:
Inspired by the male and female figures, Mole Architects play with the robust and delicate metal exteriors as one building is clad with CorTen weathered steel and the other is finished with iridescent paint whilst being equally sensitive on the interior with exposed beams and warm wooden ceilings.
The rawness of the nearby construction sites influenced these two buildings to exemplify the roughness of semi-completed forms. The architects’ exploration into raw beauty juxtaposes the tranquil interior for concentration and calmness.
These two buildings are a ‘pair of un-identical twins’ that form similarities around the cut-out viewpoints in the rectangular form and ‘colored blockwork on the concrete frame’. On the lower levels, there are larger spaces which lend themselves to the narrower studio space on top.
Social interaction is key in these designs, integrating large flexible spaces that can adapt to suit the inhabitants as well as leisure activities such as the basketball court on the roof terrace and pop-up bar. The contact with the public is further prompted by an external staircase that can be accessed at all times.
Designed for the artists, photographers, and sculptors, the building is clad in a polished aluminum. Based on the time of day or year, the reflection is everchanging and brightens the surrounding area.
Introducing nature into their buildings, their transparent market hall is caterpillar-shaped and filled with trees and foliage for visitors to sit and eat amongst. A winter garden adorns their second building to create a calm entrance for the workers and anyone else.
Both buildings have a crisp, outer exterior undulating in either a vertical or horizontal formation, capturing the views based around each. An informal aesthetic is created from the unexpected twists and forms of the shell of the building whilst the white visual keeps it sleek.
Traditionally built with red bricks, a green metal grid surrounds both the buildings which refer to the celebrated British architect James Stirling. One building hosts an illuminated sign on the roof whilst the other has a roof terrace overlooking the central park and will bear six new sculptures commissioned every year.
The Design District is only a small phase in the overall Greenwich Peninsula regeneration but will feature in the center by the O2 arena and North Greenwich tube station. The entire £8.4billion transformation will create 15,720 new homes in 7 new neighborhoods, lining 1.6 miles of the River Thames. Calatravahas also designed a new mixed-used tube station as part of the project.
Buying “the perfect computer” comes with equal parts indecision and excitement—we put in hours of research, weigh brands, compare specs, read product reviews, and ask around for advice and suggestions. For the uninitiated, it often means wading through lots of technical jargon. i7? Intel? SSD? Quad-core? For others, it may mean being spoilt for choice and finding it difficult to shortlist options. Architect, writer, and entrepreneur Eric Reinholdt’s latest video on his YouTube channel 30X40 Design Workshop tackles the tricky subject of choosing the right computer for architecture, breaking the topic down into 6 simple steps.
So what’s the best choice for you if you’re an architect, architecture student, draftsperson, or someone whose work demands similar computer specs? Reinholdt himself prefers using a 27-inch iMac but stresses how both Windows and Mac systems are equally reliable; choosing either of the two should be dependent on your budget, which software you use on a daily basis, and how adaptable or “future-proofed” you want your computer to be.
But when it comes to choosing between a desktop and laptop, he’s quick to point out that for many it’s best to buy the latter, especially if you’re a student. Architects travel often—be it a site visit, field work, client meeting, or other remote project—and a laptop’s portability is convenient. Portable, however, doesn’t have to mean light-weight. A powerful CPU, a 15-inch or 17-inch screen (the bigger the better!), and upgraded hardware comes with a bit of weight, which is an acceptable compromise to make.
And what about all the hardware-related specs that you need to get right? Thankfully, the video makes all of these less complicated to understand as well. From pixel density, RAM, drives and graphics cards, to differences between cores and single- and multi-threaded tasks, Reinholdt sums it all up neatly. Perhaps the process of buying your next computer won’t be as complicated as you thought it would be: watch the 14-minute video above for the full discussion.
Architect and author of the Architect + Entrepreneur book series Eric Reinholdt recently released a videodetailing the results of his research into the best drone for architects and designers. The drone he chose is the Mavic Pro from DJI, which he says balances multiple factors like cost, portability, camera quality, stability, ease of operation, and flight time. The only major negative Reinholdt mentions is the camera’s fixed aperture; he recommends counteracting this by purchasing neutral density filters, which help adjust the camera’s exposure. But why architects? Reinholdt mentions the variety of possible uses for a drone throughout a project, but most importantly, he sees video as the future of telling the story of architecture. Through video, you can simulate a user’s movement through spaces and mimic the experience of architecture.
Beginning with site analysis, a drone can be useful for aerial views, sightline analysis, and even topography mapping, which can be done by combining your drone with an app. During the construction phase, drone footage can be used to share progress with faraway clients or to check progress in less-easily-accessible areas, such as roofs. Other drone possibilities for the future include urban planning and traffic pattern analysis, investigation into otherwise inaccessible disaster areas, and even material delivery or construction tasks, in Reinholdt’s opinion.
On the pragmatic side of things, Reinholdt covers some necessary laws you should be aware of if you plan on flying a drone, including where flying is allowing and when. Thankfully the DJI app uses geofencing to ensure you don’t go out of bounds. Reinholdt recommends other apps useful for aspiring drone pilots, including Airmap, another app for determining where you’re allowed to fly, weather apps that show when conditions are favorable for drone flying, and Sunseeker, which allows you to track when and where the sun will be on your site to help you plan your videography. Watch the video above for Reinholdt’s full analysis of the strengths of the Mavic Pro and his advice on how to get started with a drone.
“Buoyant Ecologies Float Lab” by CCA/Digital Craft Lab.
Beginning tomorrow, the California College of the Arts in San Francisco, will host Designing Material Innovation, an exhibition being held on the College’s Back Lot—soon to be converted into their new campus by Studio Gang—which will put on display new approaches to material, fabrication, and design. Created through collaborations between architects and industry partners, the works combine technological innovation in materials research and fabrication with aesthetic and ethical approaches to form and appearance.
The exhibition, and accompanying symposium, has been organized by Taubman’s new dean Jonathan Massey and will feature five full-scale architectural prototypes and pavilions by CCA Digital Craft Lab, APTUM Architecture, Matter Design with M.I.T. Architecture, and T+E+A+M. Design of the exhibition has been carried out by Clark Thenhaus of Endemic Architectureand features a “confetti urbanism” that rearranges the existing furnishings of the Back Lot.
The government of the United Arab Emirates has announced the launch of the Mars Science City project, a $140 Million USD (AED 500 million) research city that will serve as a “viable and realistic model” for the simulation of human occupation of the martian landscape. Designed by a team of Emirati scientists, engineers and designers from the Mohammed bin Rashid Space Centre in partnership with Bjarke Ingels Group (BIG), the 1.9 million-square-foot domed structure will become the largest space simulation city ever constructed.
Mars Science City will house a variety of program pieces for both researchers and visitors, including laboratories for the study of food, energy and water; landscapes for agricultural testing and food security studies; and a museum celebrating humanity’s greatest space achievements and educating visitors on the city’s research. Utilizing one of the techniques currently considered for Mars habitat construction, the walls of the museum will be 3D printed using sand from the Emirati desert.
Laboratory spaces will be outfitted with advanced technologies allowing researchers to test construction and living strategies under specific Martian heat and radiation levels. Plans for the city include an experimental living scenario in which a team will attempt to live within the constructed environment for a full year.
“The UAE is a great country with vision and understanding of the challenges we face and the rapid changes our world is experiencing,” said Vice President, Prime Minister and Ruler of Dubai, His Highness Sheikh Mohammed bin Rashid Al Maktoum. “We believe in the potential of space exploration, and in collaborating with global partners and leaders in order to harness the findings of this research and movement that seeks to meet people’s needs and improve quality of life on earth.”
Michel Kozman has imagined a light-filled library for Hyde Park as part of the Archasm Hyde Park Library Competition that ran earlier this year. The competition, which attracted 378 registrations, called for “a stimulating and exciting approach towards the design of a library at Hyde Park.” The brief requested consideration be given to modern forms of media, including audiovisual and digital technologies, challenge the traditional library typology and become a zone within the park for knowledge exchange and gathering.
Kozman’s design entry was drawn from the park, for the park. Located on the lake edge, the building attempts to solidify the moment where water is disturbed and ripples outwards, resulting in a kind of rolling, droplet-shaped object. The form is then pulled, so it is leaning over its entrance. This formal condition is extended into the landscape, with an outdoor amphitheater curling up from the ground like a lip.
The building’s skin would appear woven and the space frame construction left exposed, creating a dappled, patterned light, denser where the heat gain is less desired and responding to its leafy context.
The library sinks inwards over four floors to an internal courtyard, and stainless steel panels are used internally to capitalize on reflections of the park surrounding. This would create an immersive experience, bringing the outside in and the inside out. The columns holding up the structure fluctuate in width and twist like tree trunks while the floor plates wave around the edges to create double-height alcoves below.
This dynamic scheme would be an interesting addition to London’s largest royal park. It is a unique design, full of light and air and would no doubt offer a place of respite on the city’s colder days.