Powerhouse Wins Competition to Build New Urban Plaza in Eindhoven

Powerhouse Wins Competition to Build New Urban Plaza in Eindhoven, © Powerhouse Company
© Powerhouse Company
 

Powerhouse Company have won a competition to create a new mixed-use hub in Eindhoven, Netherlands. For the competition, Powerhouse teamed up with landscape architects ZUS and developerAmvest to design a trio of skyscrapers forming the winning proposal for a new urban plaza, called “District E”. The 70,000 square meter proposal will be located next to Eindhoven Station.

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The flexible construction and installation technology of District E anticipates the future growth of Eindhoven as a sustainable, innovative and economic hotspot. The seamless integration of architecture and landscape design guarantees a new public space filled with activity and a wide spectrum of green spaces – Powerhouse Company.

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© Powerhouse Company

© Powerhouse Company
 

Three tall towers collect in corresponding plinths, ranging from 76 to 158 meters in height. The towers will combine a residential program of approximately 450 homes, 20 percent of which will be social housing. A mixture of public amenities will be added, ranging from a hotel, shops/restaurants, a student study center and exhibition spaces. District E’s new “city plaza” aims to balance the 17th-century buildings from the old Eindhoven center alongside the large-scale 20th-century projects near the railway.

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© Powerhouse Company

© Powerhouse Company
 

Powerhouse described the use of the plinths as a tool for the skyscrapers to be set back, ensuring that “Eindhoven station, a national monument, is honored by giving it space and relating to its scale.” A diagonal axis within the new urban plaza is another key element to the design, as described byPowerhouse:

An essential and defining gesture in the design is the diagonal axis that visually connects the station and the ‘Philipstoren’, a monument and symbol of Eindhoven’s industrial and technological heritage. This axis cuts through the ensemble and in-so-doing linking the station’s square, the new city plaza and the ’18 September’ square like a set of beads on a thread – Powerhouse Company.

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© Powerhouse Company
 

With offices in Rotterdam, Beijing, and Munich, the architecture office has a portfolio of mixed-use projects including inSports Beijing to the Maastricht Pathé theater. The firm also beat out a bevy of heavyweight contenders in 2014 with their competition-winning proposal of a 100m observation tower in Çanakkale, Turkey.

News via: Powerhouse.

Urban Rural – Hybrid Habitation in the Heart of Istanbul

Urban Rural - Hybrid Habitation in the Heart of Istanbul, Urban Rural is set to become a landmark for Istanbul. Image Courtesy of Eray Carbajo
Urban Rural is set to become a landmark for Istanbul. Image Courtesy of Eray Carbajo

The American/Turkish architecture firm Eray Carbajo has unveiled Urban Rural, a new typology of urban living set to become a benchmark for future development in Istanbul, Turkey. The vision behind Urban Rural is for a hybrid model of living, combining close proximity to urban centers with the lushlandscape of rural life. Challenging the status quo of typical residential typologies, the scheme will consist of modular hexagonal units with triangular gardens, forming an active façade designed to become a future landmark for the city.

Urban Rural aims to challenge the status quo of urban living. Image Courtesy of Eray CarbajoModular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray CarbajoModular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray CarbajoUrban Rural is set to become a landmark for Istanbul. Image Courtesy of Eray Carbajo+6

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Urban Rural aims to challenge the status quo of urban living. Image Courtesy of Eray Carbajo

Urban Rural aims to challenge the status quo of urban living. Image Courtesy of Eray Carbajo
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Modular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray Carbajo

Modular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray Carbajo

The architectural form of Urban Rural is dominated by its unique, hexagonal, modular residential units. Each hexagon unit consists of a polygonal area for living, and a triangular cavity to be used as anirrigable garden. When units are combined, the triangular cavities act as a truss structure, creating an interdependency between building systems, structure, landscape, and aesthetic. Sustainability is central to the scheme, with a combination of locally sourced materials and an efficient component-based modular design enhancing the scheme’s environmental and economic viability.

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Modular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray Carbajo

Modular hexagonal units with triangular gardens dominate the facade. Image Courtesy of Eray Carbajo
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Urban Rural seeks to bring the lush landscape of rural living to an urban environment. Image Courtesy of Eray Carbajo

Urban Rural seeks to bring the lush landscape of rural living to an urban environment. Image Courtesy of Eray Carbajo

Urban Rural seeks to become a city landmark following its 2019 completion. A vertical urban village in the heart of Istanbul will reduce dependency on cars and transport, instead of promoting walking and cycling. The scheme features social and recreational spaces on the lower floors, creating a vibrant hub for people to live, work, and meet.

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Urban Rural is set to become a landmark for Istanbul. Image Courtesy of Eray Carbajo

Urban Rural is set to become a landmark for Istanbul. Image Courtesy of Eray Carbajo

News via: Eray Carbajo.

Form4 Architecture Wins 2017 American Prize for Architecture

Form4 Architecture Wins 2017 American Prize for Architecture, Courtesy of Form4 Architecture
Courtesy of Form4 Architecture

San Francisco-based Form4 Architecture have won the 2017 American Prize for Architecture, by The Chicago Athenaeum Museum of Architecture and Design, and The European Centre for Architecture Art Design and Urban Studies. Also known as The Louis H. Sullivan Award, the prize is awarded to outstanding practitioners in the United States that have “emblazoned a new direction in the history of American architecture” and “demonstrated consistent contributions to humanity through the built environment and the art of architecture.”

These may well be the ultimate, true romantic architects, said Christian Narkiewicz-Laine, President of The Chicago Athenaeum. Form4 Architecture’s design philosophy conveys a ‘vision of the future’ and all the artistic possibilities of imagination, emotional meaning, and lyrical expressionism for a consequentially better and more enlightened world around us.

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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture
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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture

As an architecture, interiors, and planning firm, Form4 specializes in “creating enticing environments for tech offices, museums, mixed-use developments, educational institutions, memorials, and places of worship, that respond as equally to energy efficiency, site topography, and user experience.”

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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture

The Prize specifically honors Form4 Architecture’s principals, Robert J. Giannini, John Marx, AIA, Pail Ferro, AIA, and James Tefend.

We believe in work that is artful and dynamic while respectful of its parameters, said Marx. To that end, we are able to create architecture that is poetic and memorable without sacrificing function.

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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture
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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture

Over the past few years, the firm has garnered over 80 accolades and 116 awards. The official presentation of the American Prize for Architecture will take place at the Orlando Museum of Art on April 27.

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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture
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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture

An exhibition honoring Form4 Architecture will open at Contemporary Space Athens in July 2017 and is scheduled to travel through Europe and the United States in 2017 and 2018.

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Courtesy of Form4 Architecture

Courtesy of Form4 Architecture

Check out the full list of the 2017 American Architecture Award winners here.

News via: Form4 Architecture.

Sasaki Unveils Design for Sunqiao, a 100-Hectare Urban Farming District in Shanghai

Sasaki Unveils Design for Sunqiao, a 100-Hectare Urban Farming District in Shanghai, Courtesy of Sasaki
Courtesy of Sasaki
 

With nearly 24 million inhabitants to feed and a decline in the availability and quality of agricultural land, the Chinese megacity of Shanghai is set to realize the Sunqiao Urban Agricultural District, a 100-hectare masterplan designed by US-based firm Sasaki Associates. Situated between Shanghai’s main international airport and the city center, Sunqiao will introduce large-scale vertical farming to the city of soaring skyscrapers. While primarily responding to the growing agricultural demand in the region, Sasaki’s vision goes further, using urban farming as a dynamic living laboratory for innovation, interaction, and education.

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Courtesy of Sasaki

Courtesy of Sasaki
 

Shanghai is an ideal city for vertical farming. High land prices make building upwards more economically viable than building outwards, while the demand for leafy greens in the typical Shanghainese diet can be met with efficient urban hydroponic and aquaponics systems. Sasaki’s masterplan therefore deploys a range of urban-friendly farming techniques, such as algae farms, floating greenhouses, green walls, and vertical seed libraries.

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Courtesy of Sasaki

Courtesy of Sasaki
 
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Courtesy of Sasaki

Courtesy of Sasaki
 

Sunqiao represents more than a factory for food production, however. Sasaki’s masterplan creates a robust public realm, celebrating agriculture as a key component of urban growth. An interactive greenhouse, science museum, aquaponics showcase, and festival market signal an attempt to educate generations of children about where their food comes from. Meanwhile, sky plazas, office towers, and civic greens represent a desire to create a mixed-use, dynamic, active environment far removed from traditional, sprawling, rural farmlands.

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Courtesy of Sasaki

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Courtesy of Sasaki

Courtesy of Sasaki
 

Sunqiao will not be an alien concept to Shanghai. Whereas western countries depend on large-scale, rural, corporate farming, small-scale agriculture has traditionally dominated Shanghai’s urban landscape. However, the scale of Sasaki’s approved scheme does indicate the increased value placed on China’s agriculture sector. China is the world’s biggest consumer and exporter of agricultural products, with the industry providing 22% of the country’s employment, and 13% of its Gross Domestic Product. The Chinese government is therefore keen to preserve, modernize, and showcase an industry which has helped to significantly reduce poverty rates, and has influenced the growth of the biotech and textile industries.

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Courtesy of Sasaki

Courtesy of Sasaki
 
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Courtesy of Sasaki

Courtesy of Sasaki
 

“This approach actively supports a more sustainable food network while increasing the quality of life in the city through a community program of restaurants, markets, a culinary academy, and pick-your-own experience” explained Sasaki in a press release. “As cities continue to expand, we must continue to challenge the dichotomy between what is urban and what is rural. Sunqiao seeks to prove that you can have your kale and eat it too.”

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Courtesy of Sasaki
 
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Construction of the Sunqiao Urban Agricultural District is due to begin in 2017.

News via: Sasaki Associates

15 Gallery Spaces to Open in Base of Zaha Hadid’s High Line Residential Building

15 Gallery Spaces to Open in Base of Zaha Hadid's High Line Residential Building , Courtesy of Related Companies
Courtesy of Related Companies

Real Estate firm Related Companies has announced the development of 15 new art gallery spaces to be located in and around the base of Zaha Hadid’s 520 West 28th Street residential building, located along the High Line in the New York neighborhood of Chelsea. The acclaimed Paul Kasmin Gallery, currently located in three West Chelsea locations, will serve as the anchor tenant with a 5,000 square-foot gallery in the base of the Hadid-designed building and additional space in the ‘High Line Nine,’ a collection of full service boutique exhibition spaces located adjacent to the building beneath the High Line.

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Courtesy of Related Companies

Courtesy of Related Companies

New galleries integrated into the building design will accommodate a range of gallery types featuring both domestic and international art, and will measure between 1,000 and 5,400 square feet. These spaces, along with new stand-alone galleries ranging between 1,200 and 5,400 square feet, are anticipated to open in late 2017. Two of the new buildings have been designed by Markus Dochantschi of studioMDA, which specializes in gallery design.

The ‘High Line Nine’ galleria, a subset of the new gallery collection, draws from the tradition of European gallery spaces, but takes the concept to a new level with the addition of onsite amenities including a centralized wine bar/cafe and catering kitchen, a concierge, and event space, as well as cleaning and security services. These nine boutique galleries will feature 13 to 22 foot tall ceilings range in size from 650 to 1800 square feet.

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Courtesy of Related Companies

Courtesy of Related Companies

Paul Kasmin, founder of Paul Kasmin Gallery said, “West Chelsea and Manhattan’s west side have long defined the future of fine arts in New York. I am thrilled to be a part of this exciting project and to bring two new gallery locations to the area. The creation of the High Line and the evolution of Hudson Yards have made this one of the most dynamic parts of the city. This collection of new galleries in this location is an ideal fit for us.”

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Courtesy of Related Companies

Courtesy of Related Companies

“This project was inspired by Zaha Hadid’s sculptural building at 520 West 28th Street, which is one of the finest residential buildings in the City and a monumental piece of art,” added Greg Gushee, Related Executive Vice President who is spearheading the project.

“We saw the unique opportunity to create a vibrant, diverse gallery offering to expand and further enhance the West Chelsea art district. Not only creating world class gallery spaces, but also a completely new-to-market concept—a collection of highly amenitized, full service exhibition spaces that allow domestic and international galleries to showcase their collections while we take care of all of the mundane details.  We also believe the new galleries will be a great amenity for the residents of 520 West 28th, many of whom are art collectors already.”

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Courtesy of Related Companies

Courtesy of Related Companies

The project will be the latest to feature along the High Line, which is set to receive high-profile buildings and installations, including Diller, Scofidio + Renfro’s Shed, and Heatherwick Studios’ Vessel at Hudson Yards, among many others.

Learn more about the new gallery spaces, here.

See Designs for New U.S. Embassies by America’s Top Architects

Diplomacy in Design

US EMBASSY LONDON/KIERANTIMBERLAKE

In the mid-20th century, after the United States emerged triumphantly from World War II, the State Department launched an ambitious architecture program for new U.S. embassies that expressed the nation’s forward-looking role on the world stage. Leading American architects were tapped for these commissions, including Eero Saarinen, who designed the chancery on Grosvenor Square in London; Edward Durell Stone, who created what may be his finest work in New Delhi; and Richard Neutra, who built the embassy in Karachi, Pakistan. Other architects in the program included Walter Gropius (Athens), John Johansen (Dublin), Marcel Breuer (the Hague) and Jose Luis Sert, whose elegant mission in Baghdad was decommissioned; a new embassy complex was eventually built in 2007—a massive $750 million fortified compound on 104 acres designed by the Kansas City firm Berger Devine Yaeger. It is the largest embassy in the world.

Diplomacy in Design

US EMBASSY MEXICO CITY/TOD WILLIAMS TSIENARCHITECT/DAVIS BRODY BOND

As the century wore on, State Department buildings were often more utilitarian than innovative, and security concerns became paramount. The attacks on U.S. properties abroad, particularly the simultaneous 1998 suicide truck bombings of the embassies in Tanzania and Kenya, which killed more than 200 people, had demonstrated the new dangers of diplomacy. After 9/11, security demands became even more urgent.

Diplomacy in Design

US EMBASSY COMPOUND AND HOUSING,BIERUT ,LEBANON/MORPHOSIS

But in 2010, a new State Department initiative, Excellence in Diplomatic Facilities, sought to bring superior design once more to America’s global outposts, without compromising safety. That year, KieranTimberlake won the much-publicized competition to replace Saarinen’s outmoded embassy with a new one elsewhere in London. The design incorporates sustainability and security measures without turning the complex into a walled fortress. Scheduled to open this summer, the embassy employs a moatlike feature (as part of a landscape designed by OLIN) among elements to thwart attacks.

Diplomacy in Design

US EMBASSY COMPOUND AND HOUSING,ANKARA.TURKEY/RICHARD OLCOTT/ENNEAD ARCHITECTS

Casey Jones, who had led the Design Excellence Program at the General Services Administration (GSA), moved to the State Department as Deputy Director of the Bureau of Overseas Buildings Operations (OBO). In helping supervise the program, he engaged contemporary American architects such as Morphosis, Tod Williams Billie Tsien, and Ennead to design new embassies and consulates. Though both Jones and Lydia Muniz, director of the OBO, left the State Department in January during the transition to the new administration, the legacy of design excellence remains for now.

 

Diplomacy in Design

US EMBASSY COMPOUND,JAKARTA,INDONESIA/DAVIS BRODY BOND

What follows are many of the current designs, which have been approved and are in the process of implementation. Such projects, as Muniz said in a Congressional hearing, “are symbols of American culture and values.” We hope that they inspire the State Department to continue to seek the best in architecture when building for the future.

Diplomacy in Design

US EMBASSY COMPOUND,MAPUTO,MOZAMBIQUE/YGH WITH ALLIED WORK

 

Brede School Aarle-Rixtel / architecten|en|en

Brede School Aarle-Rixtel / architecten|en|en , © BASE Photography
© BASE Photography

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© BASE Photography

From the architect. A schoolbuilding is a special building in a little village, because almost all the inhabitants have spent an important part of their life there.

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© BASE Photography

© BASE Photography

This means that, as an architect, you can give children something for the rest of their lives, because everbody remembers his or hers old schoolbuilding. “The building as an adventure” was therefor the starting point of the design.

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© BASE Photography

© BASE Photography

The Brede School is located in the heart of Aarle-Rixtel in the south of Holland. A fundamental part for the plan were the site-specific qualities like the many old trees and the existing playgrounds.

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Floor Plan

Floor Plan

Beside the use of challenging form, we have chosen not to use obvious materials. Often raw, sometimes smooth, mostly unfinished and visibly attached the form a unity that does not leave people untouched.

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© BASE Photography

© BASE Photography

The brickwork of the existing gymastics hall and the entire new schoolbuilding are finished in the same manner, with a thin film of mortar, called slempwerk. By using this kind of tradional local craft, the buildings form a coherent unity with an appearance like they’ve been there for years.

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Structure - Axonometric View

Structure – Axonometric View

A Brede School has different users. “Together under one roof” was the basic thought for the lay-out of the total plan. We have chosen a distinctive building with a small-scale charisma, where within the context of the entire building, all users can express themselves.

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© BASE Photography

© BASE Photography

The main structure is based on a recurring building block of 50m2, which is connected for each independent user in a different way. This circuit determines its own identity, but because of the modular design, compatibility is garanteed in the future and growth and shrinkage can be captured.

The implementation of different angels of inclination into the slanted roofs, is a result of a maximum of spaciousness and variation.

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© BASE Photography

© BASE Photography