Paris City Guide: 23 Places Every Architect Must Visit


Paris City Guide: 23 Places Every Architect Must Visit, Licensed under (CC BY 4.0).
Licensed under (CC BY 4.0).
  • Paris, the city that was born on the banks of the Seine, grew from a small island – Île de la Cité – to the vast metropolis that nowadays extends beyond Ménilmontant, the vingtième arrondissement.

The French capital has so much to offer. Centuries of history have left behind meaningful structures which also have been the background of love stories, wars and revolutions. Whether you are seeking to admire hidden spots, the well-known landmarks and jewels soon to be opened, or filling your personal story with them, you’ll find everything you want in this city.

This list, in no particular order, aims to provide some guidance and inspiration for your next trip to Paris. If you love architecture, dear friend, look no further.

Want to discover Paris’ architecture? Continue reading!

1. Centre Georges Pompidou

© GraphyArchy via Wikimedia Commons
© GraphyArchy via Wikimedia Commons

Architect: Renzo Piano

Location:19 Rue Beaubourg (Google)

Year: 1977

Description: This is one of the most iconic buildings in Paris and houses the Musée National d’Art Moderne which is the largest museum for modern art in Europe. Its exposed skeleton of brightly coloured tubes for mechanical systems was the beginning of a new era of architecture and it’s a must visit. Oh and don’t miss the views from the top floor, which has free admission the first Sunday of each month. Read more here.

2. Fondation Louis Vuitton Paris

By Iwan_Baan © Fondation Louis Vuitton
By Iwan_Baan © Fondation Louis Vuitton

Architect: Frank Gehry

Location:8 Avenue du Mahatma Gandhi (Google)

Year: 2014

Description: Louis Vuitton, the luxury French fashion house founded in 1854, has recently been opening stunning stores around the world: Louis Vuitton Matsuya Ginza (Jun Aoki, 2013), Louis Vuitton in Singapore(FTL Design Engineering Studio, 2012) and The Shops at Crystals (Daniel Libeskind, 2009) are some of the most stunning. This art museum is even more exciting as there is a cultural aspect to it in the design – not just a formal approach. Built on the edge of a water garden created especially for the project, it comprises an assemblage of white blocks (known as “the icebergs”) clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. Read more here.

3. Palais de Tokyo Expansion

© 11h45
© 11h45

Architect: Lacaton & Vassal

Location:13 Avenue du Président Wilson (Google)

Year: 2002

Description: The original Palais de Tokyo – built in 1937 for the International Exhibition of Arts and Technology of 1937 – attracted over 30 million people. It was known as Palais des Musées d’art moderne. However, after the event was over, the structure became neglected and eventually deteriorated. In 2001, Lacaton & Vassal breathed new life into it, the new expansion injected extra space and it went from 7000 to 22,000 square meters. Palais de Tokyo is now a brand new building dedicated to modern and contemporary art. The new Café, located on top of the Palais, has one of the best skyline views of Paris. Read more here.

4. Palais-Royal

© Magdalena Martin
© Magdalena Martin

Architect: Jules Hardouin-Mansart

Location:8 Rue de Montpensier (Google)

Year: 1639

Description: The Palais-Royal, originally the fancy home of Cardinal Richelieu, ended up in the King’s hands after his death in 1642 – Henry VIII had a similar episode with York Place and Cardinal Wolseley in 1530. Since then, this palace became the home of kings and queens to follow until the late 18th century. Today, the Palais-Royal serves as the seat of the Ministry of Culture (closed to the public) but it’s the southern end of the complex, polka-dotted with sculptor Daniel Buren’s 260 black-and-white striped columns, that has become the garden’s signature feature since 1986. Read more here.

5. Bibliothèque Nationale de France

© Davide Galli Atelier
© Davide Galli Atelier

Architect: Dominique Perrault

Location: Quai François Mauria (Google)

Year: 1995

Description: Designed as four open books, all facing one another, this public library is part of an ambitious long-term project: The Grands Projets. President François Mitterand aimed to create a new set of modern monuments for a city long defined by its architecture. Some of the constructions in this plan include the Arab World Institute, the Parc de la Villette and Pyramide at the Louvre. The library buildings define a symbolic and mythical place that reinforce the cultural importance in the urban fabric. Don’t miss the other Bibliothèque Nationale by Henri Labrouste(1875). Read more here.

6. Notre Dame Cathedral 

© Flickr user kosalabandara licensed under CC BY 2.0
© Flickr user kosalabandara licensed under CC BY 2.0

Architect: Manuelle Gautrand

Location: 6 Parvis Notre-Dame – Pl. Jean-Paul II (Google)

Year: 1345

Description: While its interior is closed off to visitors following the devastating fire of April 2019, this masterpiece of French Gothic architecture remains a must visit place in Paris. Over its long construction period numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. The Mémorial des Martyrs de la Déportation is just behind it, don’t miss it either. Read more here.

7. Eiffel Tower 

© Wikimedia user Jebulon (Public Domain)
© Wikimedia user Jebulon (Public Domain)

Architect: Gustave Eiffel

Location: Champ de Mars, 5 Avenue Anatole France (Google)

Year: 1889

Description: Time for a big classic. Despite being such a cliché, this spot is one of my favourites of the list as an architect. It was built in 1889 as the entrance arch to the 1889 World’s Fair, which was located in the nearby Trocadéro area. It is 324 metres (1,063 ft) tall and, at the time of its completion, the tallest man-made structure in the world – a title it held for 41 years. This monument represents the aspirations of a country and the technical skills of its creators, which I find inspiring. In addition, the atmosphere around the Eiffel Tower is magical. Read more here.

8. Sacré-Cœur Basilica

© Flickr User Pedro Szekely licensed under CC BY-SA 2.0
© Flickr User Pedro Szekely licensed under CC BY-SA 2.0

Architect: Paul Abadie

Location: 35 Rue du Chevalier de la Barre (Google)

Year: 1914

Description: You may think this Romano-Byzantine church is older than it looks, but it was actually built after the Eiffel Tower (1889). The appearance of Sacré Cœur’s design is a result of the conservative Catholic old guard and the secular, republican radicals. The apse mosaic Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world. Don’t miss the amazing skyline views from the dome (accessible through the exterior left side of the basilica). Read more here.

9. Le Grand Louvre

© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)
© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)

Architect: I.M. Pei

Location: Place du Carrousel (Google)

Year: 1989

Description: As mentioned in #5, in 1981, the newly elected French president, Francois Mitterrand, launched a campaign to renovate cultural institutions throughout France and one of the most advantageous of those projects was the renovation and reorganization of the Louvre. President Mitterrand commissioned the Chinese American architect I.M. Pei the task being the first time that a foreign architect was enlisted to work on the Louvre museum. The new structure – built in the same proportions of the famous Pyramid of Giza – alleviated the congestion from the thousands of daily visitors. Sunset is the best time to visit. Read more here.

10. Musée d’Orsay

© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)
© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)

Architect: Victor Laloux, Lucien Magne and Émile Bénard

Location:1 Rue de la Légion d’Honneur (Google)

Year: 1900

Description: This imposing museum was originally built in 1900 as the former Gare d’Orsay, a Beaux-Arts railway station. And although its function was transformed, it does look like a railway station. It houses the largest collection of impressionist and post-impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. This and Marmottan Monet Museum are my favorites in Paris. Don’t miss the amazing skyline views from the clock tower. Read more here.

11. Fondation Le Corbusier

By Cemal Emden © FLC_ADAGP
By Cemal Emden © FLC_ADAGP

+Maison-Atelier Ozenfant, Immeuble Porte Molitor and Villa Stein-de-Monzie

Architect: Le Corbusier

Location: (Fondation Le Corbusier) 8-10 Square du Docteur Blanche (Google)

Year: 1923

Description: Of the countless buildings Le Corbusier designed in France, most of his housing examples are located in Paris. It would be unfair to just list one of them and that’s why I included some of his most representative works. Where to start? Definitely at Maison La Roche and Maison Jeanneret (1923–24), a pair of semi-detached houses that were Le Corbusier’s third commission in Paris. Fondation Le Corbusier is now used as a museum containing about 8,000 original drawings, studies and plans by Le Corbusier. His Paris home, where he lived until 1965, is located at Immeuble Porte Molitor (Public tours only by appointment). Read more here.

12. Pigalle Basketball

© Sebastien Michelini
© Sebastien Michelini

Architect: Ill-Studio

Location:17 Rue Duperré (Google)

Year: 2017

Description: This exciting urban intervention explores the relationship between sport, art and culture by changing the original primary colours with gradients of blue, pink, purple and orange. Blocks of red, yellow, blue and white from the last iteration have been painted over with brighter hues. The rubber court surface blends from blue at the ends to pink in the centre, while gradients have also been applied to the surrounding walls. The result? A fun place to play, watch and socialise. Read more here.

13. Musée du Quai Branly

© Virginia Duran
© Virginia Duran

Architect: Jean Nouvel

Location: (Google)

Year: 2006

Description: Many people (tourists) reach this spot by accident when trying to find the Eiffel Tower. However, this museum is quite important itself. Hybrid, composite, coloured, mysterious and joyous, Jean Nouvel’s building has in effect repeated the success from his victorious Institut du Monde Arabe(1988). The “green wall” on the exterior was designed and planted by Gilles Clément and Patrick Blanc and it’s worth a visit too. Read more here.

14. Docks de Paris

© Fred Romero licensed under CC BY 2.0
© Fred Romero licensed under CC BY 2.0

Architect: Jakob + MacFarlane

Location: 34 Quai d’Austerlitz (Google)

Year: 2010

Description: The wonderful job of Jakob + MacFarlane transformed a concrete shipping depot originally built in 1907 into a shinny museum of fashion and design. The architects are calling their design a “plug-over” as the new structure is a new external skin that enveloped the existing site on the sides and on top. The roof has also been developed using wooden decks and grassed areas. Read more here.

15. Philharmonie de Paris

© Guilhem Vellut licensed under cc-by-2.0
© Guilhem Vellut licensed under cc-by-2.0

Architect: Jean Nouvel

Location: 221 Avenue Jean Jaurès (Google)

Year: 2015

Description: This highly controversial project, Paris’ newest symphonic concert hall, is the home of Orchestre de Paris. It took a lot longer to build, at almost three times its original budget and, worst of all, on the day of the opening Jean Nouvel wasn’t present as he angrily claimed it was “not finished”. Though the exterior has received much criticism – aluminium panels in a basketweave design swirl tightly around the structure – the interior has been highly praised. Judge for yourself. Read more here.

16. La Seine Musical

© slam.photo licensed under CC BY-SA 2.0
© slam.photo licensed under CC BY-SA 2.0

Architect: Shigeru Ban and Jean de Gastines

Location: Île Seguin, 92100 Boulogne-Billancourt (Google)

Year: 2017

Description: Another structure dedicated to musical affairs – La Seine Musicale – which has received a wildly positive welcome by the general public. The facilities include an elevated egg-shaped auditorium for classical music, a larger modular concert hall, rehearsal rooms and an extensive roof garden. Much of the site’s daytime energy needs are supplied by a large mobile curved solar panel array that covers the smaller auditorium. Read more here.

17. Bourse de Commerce / Collection Pinault

© Jean-Pierre Dalbéra licensed under CC BY 2.0
© Jean-Pierre Dalbéra licensed under CC BY 2.0

Architect: Tadao Ando

Location:2 Rue de Viarmes (Google)

Year: Opening predicted for spring 2020

Description: François Pinault, who previously teamed up with Tadao Ando to open Venice’s Palazzo Grassi and Punta della Dogana, commissioned this exciting project which will soon open. Located at the Bourse de Commerce, an 18th-century rotunda that once held the city’s grain market and stock exchange, Collection Pinault Paris will host exhibitions from painting, sculpture, photography and video to installations. Ando designed the ambitious interior, where a cylindrical gallery will form the main exhibition space which will be set into the centre of the plan below the building’s domed ceiling. Read more here.

18. Galeries Lafayette Haussmann

Via Gallerie Lafayette Group
Via Gallerie Lafayette Group

Architect: Georges Chedanne and Ferdinand Chanut

Location:40 Boulevard Haussmann (Google)

Year: 1912

Description: The first Galeries Lafayette (the Harrods of France), opened here in 1912. Théophile Bader and his cousin Alphonse Kahn commissioned the architect Georges Chedanne and his pupil Ferdinand Chanut a lavish fashion store with a glass and steel dome and stunning Art Nouveau staircases. More than a century later, the building is still used for the same purpose and its oozing with greatness. Don’t miss the amazing views from its rooftop. If you liked this one, you might also want to visit the recently refurbished Galeries Lafayette Champs-Élyséesby BIG (2019). Read more here.

19. Hôtel Guimard

© Steve Cadman licensed under CC BY-SA 2.0
© Steve Cadman licensed under CC BY-SA 2.0

Architect: Hector Guimard

Location: 122 Avenue Mozart (Google)

Year: 1912

Description: This little building is a hidden jewel of the city. It was built as an Art Nouveau house Hector Guimard designed for himself and his wife after visiting the Hôtel Tassel in Brussels, designed by the über famous Victor Horta. Guimard later became known for designing the famous subway entrances (Pasteur, Porte Dauphine…) and also the Castel Béranger door at Rue Jean de la Fontaine which is worth a visit too. Unfortunately, the interiors can’t be visited but the original dining room suite can today be seen at the Petit Palais; the bedroom at the Museum of Fine Arts of Lyon; and the study at the Musée de l’École de Nancy. Read more here.

20. Les Orgues de Flandre

© Laurent Kronental
© Laurent Kronental

Architect: Martin van Trek

Location:24 Rue Archereau (Google)

Year: 1980

Description: Paris is full of Brutalist masterpieces but this is, in my opinion, one of the best. The Orgues de Flandre, which can be translated as the “Organs of Flanders”, are a group of residential buildings built from 1974 to 1980. What is really outstanding about this complex – and different to other residential houses of this kind around the world – is that Martin van Trek granted the private spaces (the apartments) a monumental status whilst leaving the public spaces in a secondary and more ordinary level. Controversial. Read more here.

21. Les Choux de Créteil

By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported
By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported

Architect: Gérard Grandval

Location:2 Boulevard Pablo Picasso (Google)

Year: 1974

Description: Another housing project in the suburbs of Paris that is worth a visit: Les Choux de Créteil. This group of ten cylindrical buildings each 15 stories in height is called Les Choux (the cabbages). The project was initiated in 1966, in an area which had been used for a century to produce much of the vegetables for Parisian tables although the name makes reference to the unusual shape of their balconies. The buildings’ unique shape is intended to be functional: the apartments’ living spaces are closer to the windows and the 2-meter-tall balconies provide outdoor access and privacy at the same time. Read more here.

22. Palace of Versailles

© Myrabella / Wikimedia Commons / CC BY-SA 3.0
© Myrabella / Wikimedia Commons / CC BY-SA 3.0

Architect: Louis Le Vau, Andre Le Notre and Charles Lebrun

Location:Place d’Armes, 78000 Versailles (Google)

Year: 1682

Description: The site began as Louis XIII’s hunting lodge before his son Louis XIV transformed and expanded it, moving the court and government of France to Versailles in 1682. Each of the three French kings who lived there until the French Revolution added improvements to make it more beautiful. Indeed it’s one of the most stunning European palaces. This is a classic that everyone should visit once in a lifetime. Read more here.

23. Villa Savoye

© Flickr User End User
© Flickr User End User

Architect: Le Corbusier

Location: 82 Rue de Villiers (Poissy) (Google)

Year: 1931

Description: This may be the one house that every architect knows in the world and with no doubt it is one of the most significant contributions to modern architecture in the 20th century. The house single handedly transformed Le Corbusier’s career as well as the principles of the International Style, becoming one of the most important architectural precedents in history. Originally built as a country retreat on behest of the Savoye family but it now belongs to the French state and therefore it can be visited. In fact, it’s free to visit on the 1st Sunday of every month. Read more here.

[BONUS]- Villa Dall’Ava

© Peter Aaron/OTTO
© Peter Aaron/OTTO

Architect: Office for Metropolitan Architecture (OMA)

Location:Avenue Clodoald, 92210 Saint-Cloud (Google)

Year: 1991

Description: Although it can’t be visited by any means, I felt this house had to be on the list. It was built in 1991 as a modern-expressionist house with two distinct apartments: One for the house owners and another for their daughter. There was an extra request: a swimming pool on the roof with a view of the Eiffel Tower. The strip windows and thin, repeated columns recall Le Corbusier’s Villa Savoye. Read more here.

Check these and other amazing buildings of Paris on the map below or download The Free Architecture Guide of Paris.

https://www.google.com/maps/d/embed?mid=1bfsCVXvWJjsQFsAVmnnw2iplprM

Editor’s Note: This article was originally published on August 14, 2019.

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Paris, the city that was born on the banks of the Seine, grew from a small island – Île de la Cité – to the vast metropolis that nowadays extends beyond Ménilmontant, the vingtième arrondissement.

The French capital has so much to offer. Centuries of history have left behind meaningful structures which also have been the background of love stories, wars and revolutions. Whether you are seeking to admire hidden spots, the well-known landmarks and jewels soon to be opened, or filling your personal story with them, you’ll find everything you want in this city.

This list, in no particular order, aims to provide some guidance and inspiration for your next trip to Paris. If you love architecture, dear friend, look no further.

Want to discover Paris’ architecture? Continue reading!

1. Centre Georges Pompidou

© GraphyArchy via Wikimedia Commons
© GraphyArchy via Wikimedia Commons

Architect: Renzo Piano

Location:19 Rue Beaubourg (Google)

Year: 1977

Description: This is one of the most iconic buildings in Paris and houses the Musée National d’Art Moderne which is the largest museum for modern art in Europe. Its exposed skeleton of brightly coloured tubes for mechanical systems was the beginning of a new era of architecture and it’s a must visit. Oh and don’t miss the views from the top floor, which has free admission the first Sunday of each month. Read more here.

2. Fondation Louis Vuitton Paris

By Iwan_Baan © Fondation Louis Vuitton
By Iwan_Baan © Fondation Louis Vuitton

Architect: Frank Gehry

Location:8 Avenue du Mahatma Gandhi (Google)

Year: 2014

Description: Louis Vuitton, the luxury French fashion house founded in 1854, has recently been opening stunning stores around the world: Louis Vuitton Matsuya Ginza (Jun Aoki, 2013), Louis Vuitton in Singapore(FTL Design Engineering Studio, 2012) and The Shops at Crystals (Daniel Libeskind, 2009) are some of the most stunning. This art museum is even more exciting as there is a cultural aspect to it in the design – not just a formal approach. Built on the edge of a water garden created especially for the project, it comprises an assemblage of white blocks (known as “the icebergs”) clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. Read more here.

3. Palais de Tokyo Expansion

© 11h45
© 11h45

Architect: Lacaton & Vassal

Location:13 Avenue du Président Wilson (Google)

Year: 2002

Description: The original Palais de Tokyo – built in 1937 for the International Exhibition of Arts and Technology of 1937 – attracted over 30 million people. It was known as Palais des Musées d’art moderne. However, after the event was over, the structure became neglected and eventually deteriorated. In 2001, Lacaton & Vassal breathed new life into it, the new expansion injected extra space and it went from 7000 to 22,000 square meters. Palais de Tokyo is now a brand new building dedicated to modern and contemporary art. The new Café, located on top of the Palais, has one of the best skyline views of Paris. Read more here.

4. Palais-Royal

© Magdalena Martin
© Magdalena Martin

Architect: Jules Hardouin-Mansart

Location:8 Rue de Montpensier (Google)

Year: 1639

Description: The Palais-Royal, originally the fancy home of Cardinal Richelieu, ended up in the King’s hands after his death in 1642 – Henry VIII had a similar episode with York Place and Cardinal Wolseley in 1530. Since then, this palace became the home of kings and queens to follow until the late 18th century. Today, the Palais-Royal serves as the seat of the Ministry of Culture (closed to the public) but it’s the southern end of the complex, polka-dotted with sculptor Daniel Buren’s 260 black-and-white striped columns, that has become the garden’s signature feature since 1986. Read more here.

5. Bibliothèque Nationale de France

© Davide Galli Atelier
© Davide Galli Atelier

Architect: Dominique Perrault

Location: Quai François Mauria (Google)

Year: 1995

Description: Designed as four open books, all facing one another, this public library is part of an ambitious long-term project: The Grands Projets. President François Mitterand aimed to create a new set of modern monuments for a city long defined by its architecture. Some of the constructions in this plan include the Arab World Institute, the Parc de la Villette and Pyramide at the Louvre. The library buildings define a symbolic and mythical place that reinforce the cultural importance in the urban fabric. Don’t miss the other Bibliothèque Nationale by Henri Labrouste(1875). Read more here.

6. Notre Dame Cathedral 

© Flickr user kosalabandara licensed under CC BY 2.0
© Flickr user kosalabandara licensed under CC BY 2.0

Architect: Manuelle Gautrand

Location: 6 Parvis Notre-Dame – Pl. Jean-Paul II (Google)

Year: 1345

Description: While its interior is closed off to visitors following the devastating fire of April 2019, this masterpiece of French Gothic architecture remains a must visit place in Paris. Over its long construction period numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. The Mémorial des Martyrs de la Déportation is just behind it, don’t miss it either. Read more here.

7. Eiffel Tower 

© Wikimedia user Jebulon (Public Domain)
© Wikimedia user Jebulon (Public Domain)

Architect: Gustave Eiffel

Location: Champ de Mars, 5 Avenue Anatole France (Google)

Year: 1889

Description: Time for a big classic. Despite being such a cliché, this spot is one of my favourites of the list as an architect. It was built in 1889 as the entrance arch to the 1889 World’s Fair, which was located in the nearby Trocadéro area. It is 324 metres (1,063 ft) tall and, at the time of its completion, the tallest man-made structure in the world – a title it held for 41 years. This monument represents the aspirations of a country and the technical skills of its creators, which I find inspiring. In addition, the atmosphere around the Eiffel Tower is magical. Read more here.

8. Sacré-Cœur Basilica

© Flickr User Pedro Szekely licensed under CC BY-SA 2.0
© Flickr User Pedro Szekely licensed under CC BY-SA 2.0

Architect: Paul Abadie

Location: 35 Rue du Chevalier de la Barre (Google)

Year: 1914

Description: You may think this Romano-Byzantine church is older than it looks, but it was actually built after the Eiffel Tower (1889). The appearance of Sacré Cœur’s design is a result of the conservative Catholic old guard and the secular, republican radicals. The apse mosaic Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world. Don’t miss the amazing skyline views from the dome (accessible through the exterior left side of the basilica). Read more here.

9. Le Grand Louvre

© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)
© Benh LIEU SONG via Wikimedia Commons (CC BY-SA 3.0)

Architect: I.M. Pei

Location: Place du Carrousel (Google)

Year: 1989

Description: As mentioned in #5, in 1981, the newly elected French president, Francois Mitterrand, launched a campaign to renovate cultural institutions throughout France and one of the most advantageous of those projects was the renovation and reorganization of the Louvre. President Mitterrand commissioned the Chinese American architect I.M. Pei the task being the first time that a foreign architect was enlisted to work on the Louvre museum. The new structure – built in the same proportions of the famous Pyramid of Giza – alleviated the congestion from the thousands of daily visitors. Sunset is the best time to visit. Read more here.

10. Musée d’Orsay

© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)
© Emmaphoto via Wikimedia Commons (CC BY-SA 4.0)

Architect: Victor Laloux, Lucien Magne and Émile Bénard

Location:1 Rue de la Légion d’Honneur (Google)

Year: 1900

Description: This imposing museum was originally built in 1900 as the former Gare d’Orsay, a Beaux-Arts railway station. And although its function was transformed, it does look like a railway station. It houses the largest collection of impressionist and post-impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. This and Marmottan Monet Museum are my favorites in Paris. Don’t miss the amazing skyline views from the clock tower. Read more here.

11. Fondation Le Corbusier

By Cemal Emden © FLC_ADAGP
By Cemal Emden © FLC_ADAGP

+Maison-Atelier Ozenfant, Immeuble Porte Molitor and Villa Stein-de-Monzie

Architect: Le Corbusier

Location: (Fondation Le Corbusier) 8-10 Square du Docteur Blanche (Google)

Year: 1923

Description: Of the countless buildings Le Corbusier designed in France, most of his housing examples are located in Paris. It would be unfair to just list one of them and that’s why I included some of his most representative works. Where to start? Definitely at Maison La Roche and Maison Jeanneret (1923–24), a pair of semi-detached houses that were Le Corbusier’s third commission in Paris. Fondation Le Corbusier is now used as a museum containing about 8,000 original drawings, studies and plans by Le Corbusier. His Paris home, where he lived until 1965, is located at Immeuble Porte Molitor (Public tours only by appointment). Read more here.

12. Pigalle Basketball

© Sebastien Michelini
© Sebastien Michelini

Architect: Ill-Studio

Location:17 Rue Duperré (Google)

Year: 2017

Description: This exciting urban intervention explores the relationship between sport, art and culture by changing the original primary colours with gradients of blue, pink, purple and orange. Blocks of red, yellow, blue and white from the last iteration have been painted over with brighter hues. The rubber court surface blends from blue at the ends to pink in the centre, while gradients have also been applied to the surrounding walls. The result? A fun place to play, watch and socialise. Read more here.

13. Musée du Quai Branly

© Virginia Duran
© Virginia Duran

Architect: Jean Nouvel

Location: (Google)

Year: 2006

Description: Many people (tourists) reach this spot by accident when trying to find the Eiffel Tower. However, this museum is quite important itself. Hybrid, composite, coloured, mysterious and joyous, Jean Nouvel’s building has in effect repeated the success from his victorious Institut du Monde Arabe(1988). The “green wall” on the exterior was designed and planted by Gilles Clément and Patrick Blanc and it’s worth a visit too. Read more here.

14. Docks de Paris

© Fred Romero licensed under CC BY 2.0
© Fred Romero licensed under CC BY 2.0

Architect: Jakob + MacFarlane

Location: 34 Quai d’Austerlitz (Google)

Year: 2010

Description: The wonderful job of Jakob + MacFarlane transformed a concrete shipping depot originally built in 1907 into a shinny museum of fashion and design. The architects are calling their design a “plug-over” as the new structure is a new external skin that enveloped the existing site on the sides and on top. The roof has also been developed using wooden decks and grassed areas. Read more here.

15. Philharmonie de Paris

© Guilhem Vellut licensed under cc-by-2.0
© Guilhem Vellut licensed under cc-by-2.0

Architect: Jean Nouvel

Location: 221 Avenue Jean Jaurès (Google)

Year: 2015

Description: This highly controversial project, Paris’ newest symphonic concert hall, is the home of Orchestre de Paris. It took a lot longer to build, at almost three times its original budget and, worst of all, on the day of the opening Jean Nouvel wasn’t present as he angrily claimed it was “not finished”. Though the exterior has received much criticism – aluminium panels in a basketweave design swirl tightly around the structure – the interior has been highly praised. Judge for yourself. Read more here.

16. La Seine Musical

© slam.photo licensed under CC BY-SA 2.0
© slam.photo licensed under CC BY-SA 2.0

Architect: Shigeru Ban and Jean de Gastines

Location: Île Seguin, 92100 Boulogne-Billancourt (Google)

Year: 2017

Description: Another structure dedicated to musical affairs – La Seine Musicale – which has received a wildly positive welcome by the general public. The facilities include an elevated egg-shaped auditorium for classical music, a larger modular concert hall, rehearsal rooms and an extensive roof garden. Much of the site’s daytime energy needs are supplied by a large mobile curved solar panel array that covers the smaller auditorium. Read more here.

17. Bourse de Commerce / Collection Pinault

© Jean-Pierre Dalbéra licensed under CC BY 2.0
© Jean-Pierre Dalbéra licensed under CC BY 2.0

Architect: Tadao Ando

Location:2 Rue de Viarmes (Google)

Year: Opening predicted for spring 2020

Description: François Pinault, who previously teamed up with Tadao Ando to open Venice’s Palazzo Grassi and Punta della Dogana, commissioned this exciting project which will soon open. Located at the Bourse de Commerce, an 18th-century rotunda that once held the city’s grain market and stock exchange, Collection Pinault Paris will host exhibitions from painting, sculpture, photography and video to installations. Ando designed the ambitious interior, where a cylindrical gallery will form the main exhibition space which will be set into the centre of the plan below the building’s domed ceiling. Read more here.

18. Galeries Lafayette Haussmann

Via Gallerie Lafayette Group
Via Gallerie Lafayette Group

Architect: Georges Chedanne and Ferdinand Chanut

Location:40 Boulevard Haussmann (Google)

Year: 1912

Description: The first Galeries Lafayette (the Harrods of France), opened here in 1912. Théophile Bader and his cousin Alphonse Kahn commissioned the architect Georges Chedanne and his pupil Ferdinand Chanut a lavish fashion store with a glass and steel dome and stunning Art Nouveau staircases. More than a century later, the building is still used for the same purpose and its oozing with greatness. Don’t miss the amazing views from its rooftop. If you liked this one, you might also want to visit the recently refurbished Galeries Lafayette Champs-Élyséesby BIG (2019). Read more here.

19. Hôtel Guimard

© Steve Cadman licensed under CC BY-SA 2.0
© Steve Cadman licensed under CC BY-SA 2.0

Architect: Hector Guimard

Location: 122 Avenue Mozart (Google)

Year: 1912

Description: This little building is a hidden jewel of the city. It was built as an Art Nouveau house Hector Guimard designed for himself and his wife after visiting the Hôtel Tassel in Brussels, designed by the über famous Victor Horta. Guimard later became known for designing the famous subway entrances (Pasteur, Porte Dauphine…) and also the Castel Béranger door at Rue Jean de la Fontaine which is worth a visit too. Unfortunately, the interiors can’t be visited but the original dining room suite can today be seen at the Petit Palais; the bedroom at the Museum of Fine Arts of Lyon; and the study at the Musée de l’École de Nancy. Read more here.

20. Les Orgues de Flandre

© Laurent Kronental
© Laurent Kronental

Architect: Martin van Trek

Location:24 Rue Archereau (Google)

Year: 1980

Description: Paris is full of Brutalist masterpieces but this is, in my opinion, one of the best. The Orgues de Flandre, which can be translated as the “Organs of Flanders”, are a group of residential buildings built from 1974 to 1980. What is really outstanding about this complex – and different to other residential houses of this kind around the world – is that Martin van Trek granted the private spaces (the apartments) a monumental status whilst leaving the public spaces in a secondary and more ordinary level. Controversial. Read more here.

21. Les Choux de Créteil

By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported
By Paul Fleury via Wikimedia Commons licenced under Creative Commons Attribution 3.0 Unported

Architect: Gérard Grandval

Location:2 Boulevard Pablo Picasso (Google)

Year: 1974

Description: Another housing project in the suburbs of Paris that is worth a visit: Les Choux de Créteil. This group of ten cylindrical buildings each 15 stories in height is called Les Choux (the cabbages). The project was initiated in 1966, in an area which had been used for a century to produce much of the vegetables for Parisian tables although the name makes reference to the unusual shape of their balconies. The buildings’ unique shape is intended to be functional: the apartments’ living spaces are closer to the windows and the 2-meter-tall balconies provide outdoor access and privacy at the same time. Read more here.

22. Palace of Versailles

© Myrabella / Wikimedia Commons / CC BY-SA 3.0
© Myrabella / Wikimedia Commons / CC BY-SA 3.0

Architect: Louis Le Vau, Andre Le Notre and Charles Lebrun

Location:Place d’Armes, 78000 Versailles (Google)

Year: 1682

Description: The site began as Louis XIII’s hunting lodge before his son Louis XIV transformed and expanded it, moving the court and government of France to Versailles in 1682. Each of the three French kings who lived there until the French Revolution added improvements to make it more beautiful. Indeed it’s one of the most stunning European palaces. This is a classic that everyone should visit once in a lifetime. Read more here.

23. Villa Savoye

© Flickr User End User
© Flickr User End User

Architect: Le Corbusier

Location: 82 Rue de Villiers (Poissy) (Google)

Year: 1931

Description: This may be the one house that every architect knows in the world and with no doubt it is one of the most significant contributions to modern architecture in the 20th century. The house single handedly transformed Le Corbusier’s career as well as the principles of the International Style, becoming one of the most important architectural precedents in history. Originally built as a country retreat on behest of the Savoye family but it now belongs to the French state and therefore it can be visited. In fact, it’s free to visit on the 1st Sunday of every month. Read more here.

[BONUS]- Villa Dall’Ava

© Peter Aaron/OTTO
© Peter Aaron/OTTO

Architect: Office for Metropolitan Architecture (OMA)

Location:Avenue Clodoald, 92210 Saint-Cloud (Google)

Year: 1991

Description: Although it can’t be visited by any means, I felt this house had to be on the list. It was built in 1991 as a modern-expressionist house with two distinct apartments: One for the house owners and another for their daughter. There was an extra request: a swimming pool on the roof with a view of the Eiffel Tower. The strip windows and thin, repeated columns recall Le Corbusier’s Villa Savoye. Read more here.

Check these and other amazing buildings of Paris on the map below or download The Free Architecture Guide of Paris.

https://www.google.com/maps/d/embed?mid=1bfsCVXvWJjsQFsAVmnnw2iplprM

Editor’s Note: This article was originally published on August 14, 2019.

Ethai Cafe / Quarta & Armando

Ethai Cafe / Quarta & Armando, © Dirk Weiblen
  • Curated by 韩双羽 – HAN Shuangyu

RESTAURANT & BAR INTERIORS

SHANGHAI, CHINA

  • Design Team:Gianmaria Quarta, Michele Armando, Shiyuan Tang, Carlin Sun
  • The Client:Shanghai Ethai Restaurant Ltd
  • City:Shanghai
  • Country:China

LESS SPECS

© Dirk Weiblen

Recommended Products

Text description provided by the architects. Tucked away in the busy commercial basement of Shanghai’s Kerry Center, Ethai Café offers a fresh take on traditional Thai cuisine, focusing on simple light dishes created from healthy ingredients. The earthy color and material palette is based on gradients reminiscent of central Thailand’s archaeological sites and lands, and its nooks and sitting areas appear to have been carved out of the rammed earth that envelops the façade.

watercolor. Image Courtesy of Quarta & Armando

Given the secluded and constrained nature of the site, we imagined a space that could provide a peaceful and transient retreat from the hustle and bustle of city life. In order to achieve this, the project follows the directional concept of an enveloping geometry. Consequently, the facade is willingly designed give a slight cut to the space from the public area, through a lowered ceiling and a low wall, unfolding like a ribbon from within the restaurant and draping the exterior. An opening of the low wall, which reveals a banquette on the inside, creates an inviting entrance, naturally guiding customers into the space. These volumes are slightly offset from the site boundaries, enforcing this feeling of “space within space”.

layout. Image Courtesy of Quarta & Armando
© Dirk Weiblen

The layout gives customers a certain level of privacy, while still feeling somewhat connected to the rest of the public space. Overlooking the customers stands a dome-shaped ceiling, formed by a grid of wooden beams, in which conceals the space’s lighting. This structure defines a vaulted space that feels private yet convivial, like a contemporary interpretation of the primordial hut.

© Dirk Weiblen

The material selection further enhances this idea of quiet sobriety by deploying a palette rich in earthy tones and alternating rough and smooth textures. Welcomed by the rammed earth gradient at the entrance, the customer then notes with interest the coarse terrazzo flooring that guides them into the space. Lifting further their eye-level, they will discover a rich texture on the vertical surfaces, covered by white arched tiles. Simultaneously, the environment feels natural from the wooden surfaces on the furniture and the grid ceiling, as well as the vegetation. Finally, pieces of artwork constitute different focal points of the restaurant, bringing a traditional Thai touch and finalizing the integrality of Ethai Café.Bookmark

The Continuous Wood Ceilings Trend: Warmth and Texture Indoors and Outdoors

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The Continuous Wood Ceilings Trend: Warmth and Texture Indoors and Outdoors, Single Family Home / Indievisual AG. Image Courtesy of Prodema

Many practitioners and theorists of modern architecture favored large open plans, looming glass windows, and through both of these means, an unencumbered connection to nature. To do so, many iconic modernist buildings would use cantilevered roofs extending over glass curtainwalls, including Mies van der Rohe’s Farnsworth House and Pierre Koenig’s Case Study House #22. In the years since this trend was popularized, however, a seemingly niche yet cumbersome problem would present itself: the problem of continuous wood ceilings.

Wooden ceilings are an obvious choice for aesthetic reasons: they provide warmth and texture to most environments, nurturing a rustic, homely atmosphere that can bring comfort to any space. Especially in designs that aim to reconnect with nature, a wooden ceiling combined with glass windows can feel incredibly natural, extending the beauty of the outdoors into an interior, protected space. Yet in designs with cantilevered roofs, the wooden roofing for the interior needs to be suitable for the exterior as well if it extends past the building’s walls and into the underside of the hanging canopies.

Multi-Family Housing / Indievisual AG. Image Courtesy of Prodema

As a solution to this issue, the wood covering company Prodema has designed a new range of wood panels called Soffit Panels. Manufactured to be installed on exterior surfaces, particularly on balconies, soffits, or lower canopies, they can also be applied without problems indoors. Facilitating a new trend of continuous wood ceilings, these simultaneously durable and aesthetic panels allow architects to design for greater continuity in indoor and outdoor spaces, blurring the boundary between nature and shelter even further.

The benefits of the Soffit range are many, including easy installation, no maintenance, and, of course, heightened visual appeal. Made from real wood, the Prodema Soffit is not only naturally textured and toned, but it is more durable than traditional soffits, which typically soften and peel if not maintained properly.

Below, we consider three case studies that use the Prodema Soffit panel in beautiful and unique ways.

Single Family Home / Indievisual AG

This single-family residential design could be taken out of a modernist design handbook, with its floor-to-ceiling glass windows, cantilevered flat roof, open-plan interior, and remote location; in fact, it was directly inspired by Philip Johnson’s famous Glass House. The house uses Prodema’s Grey Eucalyptus Soffit panels on the underside of its roof, which cantilevers past the glass windows and hangs over the sides of the walls. The wood extends uninterrupted throughout both interior ceiling and exterior canopy, reaching into the surrounding forest and connecting the home to its immediate natural environment.

Single Family Home / Indievisual AG. Image Courtesy of Prodema
Single Family Home / Indievisual AG
Single Family Home / Indievisual AG

Multi-Family Housing / Indievisual AG

This multi-family housing structure continues the typology of floor-to-ceiling glass windows and cantilevered roofs, yet it does so across multiple floors accommodating multiple groups of residents. Again, the Soffit panels—this time in the White American Oak finish—continue across both interior and exterior, on the underside of the above balconies. The highly textured finish of the panels complements the building’s overall simplicity in design.

Multi-Family Housing / Indievisual AG. Image Courtesy of Prodema
Multi-Family Housing / Indievisual AG
Multi-Family Housing / Indievisual AG

Cultural Centre / Indievisual AG

This cultural building draws design inspiration from the Bauhaus Collection in Alvaro Siza’s Chinese Museum of Design. Creating an immense, geometric stone mass in light, warm colors, the center uses Prodema’s Grey Ayous wood soffit to clad the ceiling of an outdoor covered public square.

Cultural Centre / Indievisual AG. Image Courtesy of Prodema
Cultural Centre / Indievisual AG
Cultural Centre / Indievisual AG

Read more on Prodema’s Soffit panel series here.

Cooling Interiors Will be the Architectural Challenge of the Future

Cooling Interiors Will be the Architectural Challenge of the Future, GB House / Renato D’Ettorre Architects. Image © Justin Alexander

According to the UN, more than 7000 extreme weather events have been recorded since 2000. Just this year, wildfires raged across Australia and the west coast of the U.S.; Siberia charted 

record high temperatures, reaching 100 degrees Fahrenheit before Dallas or Houston; and globally, this September was the world’s hottest September on record. As the effects of the climate crisis manifest in these increasingly dire ways, it is the prerogative of the building industry – currently responsible for 39% of global greenhouse gas emissions – to do its part by committing to genuine and sweeping change in its approach to sustainability.

One of the most challenging aspects of this change will be to meet mounting cooling demands in an eco-friendly way. Cooling is innately more difficult than heating: any form of energy can become heat, and our bodies and machines naturally generate heat even in the absence of active heating systems. Cooling does not benefit equally from spontaneous generation, making it often more difficult, more costly, or less efficient to implement. Global warming and its very tangible heating effects only exacerbate this reality, intensifying an already accelerating demand for artificial cooling systems. As it stands, many of these systems require large amounts of electricity and rely heavily on fossil fuels to function. The buildings sector must find ways to meet mounting demand for cooling that simultaneously elides these unsustainable effects.

Haus Flora / Alexis Dornier. Image © KIE

Thankfully, many solutions already exist. Architects and engineers must contribute to the effort by using and adapting them to new and existing builds. Below, we enumerate several of these strategies, solutions, and products that help cool architectural interiors in eco-friendly ways.

Roughly, cooling solutions can be divided into two categories: passive and active. Passive cooling refers to strategies that regulate heat gain and dissipation with little or no energy consumption. These strategies are typically facilitated through natural environmental effects and passive architectural designs rather than active mechanical systems. Within passive cooling, architects can use preventive techniques or heat dissipation techniques: the former prevents heat gain through site and building design or insulation; the latter dissipates heat once it has already accumulated, whether through ventilation, evaporative cooling, or other similar options. ArchDaily has covered some of these strategies in the past, focusing specifically on materials conducive to passive cooling and natural ventilation techniques such as cross ventilation.

Ternion Villas / Studio Toggle. Image © Gijo Paul George
Cantilevered House / eneseis Arquitectura. Image © David Frutos

To effectively design a passive house, designers must consider a complex matrix of interrelated conditions, ranging from orientation to window placement to external shading. The Darmstadt Kranichstein Passive House is both a useful example and case study for passive cooling systems at work. In an analysis by Passipedia, “The Passive House Resource,” each of the aforementioned passive cooling conditions and their effects on average room temperature are investigated in meticulous detail. Simply by tilting windows, and thereby facilitating air flow, an “excellent indoor climate prevails,” and may even be more successful at regulating temperatures than mechanical ventilation systems – depending on the context. Likewise, balconies or roof overhangs can decrease the frequency of overheating events significantly. As Passipedia itself acknowledges, each of these valuations depends heavily on climate, time of year, and the details of each architectural system or element: for example, overhangs that are too large can increase annual heating demand significantly, even as they decrease the likelihood of overheating in summer. Orientation epitomizes this issue of context: in the summer in the Northern Hemisphere, a northern orientation decreases overheating frequencies; at other times of the year, however, it increases heating demand; the opposite is roughly true in the Southern Hemisphere. North of the equator, a southern orientation is generally considered ideal, but specific climates and locations might affect this axiom drastically. The case study recognizes some of these limitations, and remains a generally useful manual for passive cooling strategies in northern regions.

Nature & Environment Learning Centre / Bureau SLA . Image © Filip Dujardin
Transformation The Hinge / Niels Olivier Architect. Image © Arne Olivier Fotografie

To help synthesize these disparate considerations, the Isover Multi-Comfort House delineates a series of useful design principles. For cooling specifically, its brochure on hot climates enumerates five main passive strategies: 1) compact building design and favorable orientation; 2) thermal insulation and an airtight envelope; 3) energy efficient windows combining Solar control Glass and/or outside shading; 4) ventilation systems with heat recovery, and 5) natural night ventilation. It also mentions that internal heat loads like domestic appliances, heating systems, domestic water systems, air-handling units, and more all need proper thermal insulation to keep cool as well. The brochure offers specific guidelines addressing these requirements that provide precise tools of measurement: exterior insulation should achieve an average U-value of 0.15-0.45 W/(m^2K); windows should have a solar heat-gain coefficient below 40%; etcetera. The suggested strategies are also often highly specific, including a meticulous explication of how to avoid thermal bridges through drawings and structural interventions. To access the rest of these guidelines, and to read the referenced guidelines in more detail, designers should consult the manual itself.

Fitted House / Bahtera Associates. Image © Pandji Adidjojo
Casa Hilo / Zeller & Moye. Image © Jaime Navarro

Several products on the market fulfill these criteria. One example is Saint-Gobain’s COOL-LITE SKN, a type of solar control glass that simultaneously provides high daylight transmission and good energy performance while maintaining a ‘neutral’ aesthetic. COOL-LITE SKN 183 (II) in particular provides the highest daylight income without compromising energy performance, offering 75% light transmission with thermal insulation as well as high transparency and low reflection.

La Leroteca / Lacaja Arquitectos. Image © Rodrigo Davila

Notably, architects can also combine passive cooling solutions with active mechanical systems, using the latter as a supplement to the former as needed and thereby still reducing energy use and emissions. When these mechanical systems are themselves environmentally conscious, the benefits increase further. Recently, this past April, the thermoelectric company Phononic released its new cooling platform Oacis, a semiconductor technology that transfers thermal energy without the use of environmentally harmful refrigerants (the current standard in HVAC systems). Though the product is still new, it has the potential to transform active cooling and displace the norm of unsustainable air conditioning.

Suhrkamp Ensemble Offices / Bundschuh Architekten. Image © Laurian Ghinitoiu

Another notable product is Climaver, an insulated air-conditioning duct that provides fresh air without sacrificing thermal protection or noise control. Using glasswool to reduce thermal losses along the ducts, and designed to minimize air leakage, this product is advocated for in the Isover Multi-Comfort House manual as optimizing ventilation and air-conditioning as sustainably as possible.

House Dezoito / Casa100 Arquitetura. Image © Maira Acayaba

As global temperatures continue to rise and extreme weather events highlight the escalating problem of overheating, passive and environmentally-conscious active cooling have the potential to both accommodate for these negative effects and reduce the conditions that gave rise to them. This dual necessity renders the reformation of industry cooling standards one of the most daunting challenges for architects today. With these strategies, solutions, and products, designers might begin to tackle these issues, paving the way for widespread industry reform in how we approach architectural cooling of the future.

MADs proposal for a new cultural center in Zhuhai is unveiled showcasing a conservationist approach to Urban Development

Zhuhai Cultural Arts Center by MAD Architects

Plans for a proposed cultural center in China’s southern Guangdong region have been released as MAD becomes the latest to enter its name in a competition for an urban renewal project that is equal parts conservation and inspiration, leaving intact the historic past while keeping an eye on the region’s glittering future.

Dominated by a massive floating dome, the studio’s vision for a new cultural arts center covers a centuries-old coastal village located on a peninsula on the northern tip of Zhuhai, the country’s most livable city

Zhuhai Cultural Arts Center model, by MAD Architects

The dome’s structure is comprised of a cable membrane layered over the village’s former plaza and a plethora of scattered small-scale buildings meant to preserve some of the original charm lost to the massive development boom that followed its designation as a Special Economic Zone in 1980.

Urban renewal in China, especially in historic districts, should be preserved, revived, and re-created, instead of being completely wiped out and rebuilt over.” – Ma Yangsong

MAD founder Ma Yansong is known for his thoughtful approach to density concerns, one the firm believes is reflected by their careful consideration not to alter or raze Yinkeng Village’s original layout and function as a public space.

“Urban renewal in China, especially in historic districts, should be preserved, revived, and re-created, instead of being completely wiped out and rebuilt over,” Yansong said in a statement on MAD’s website.

Previously on Archinect: A new nature: Interview with Ma Yansong of MAD Architecture

Elements like the preservation of a revered 500-year-old Banyan tree combine with the metaphoric protection offered by the retractable roof to give the center a safeguarding character. A focus on local history center its function as a memory site as the incorporation of nature combines to form an intrinsically walkable space, making it a perfect example of the blended design strategy Yansong has established a reputation for over the past decade.

“Without ‘people’, there can be no continuation of culture and civilization.” the studio said. “We should focus our attention back on history, and the extension of our existing cultures. We must avoid the cultural fault lines, so that people, nature, the past, and the future can coexist in a harmonious world.”

Oppenheim Architecture unveils images of their crystal quartz-inspired luxury towers in Australia

This image has an empty alt attribute; its file name is 34d349acac68eb67e6eaf5d7aeafea71.jpg

Jewel Towers by Oppenheim Architecture. Image © Richard Greenwood/Courtesy of Multiplex

The Miami-based architecture, interior design, and planning firm Oppenheim Architecture shared images of their latest luxury mixed-use project, the Jewel. In February 2020, we connected with firm founder Chad Oppenheim for a Studio Snapshot interview. During the interview, we discussed the firm’s work and design ethos. “The practice is much more about creating a platform for expression,” he shared. 

“We started by doing projects in up and coming areas and using architecture as we way to extract the best return on investment for our clients,” shared Oppenheim. “Further down, we wanted to see how architecture can be as elemental as possible. Little by little, we were brought onto projects on spectacular sites, and we wanted to make the most out of them – bringing feeling and emotion as part of our ethos.”

Archinect Feature: Searching for the Elemental and Straight-Forward With Oppenheim Architecture. The Ayla Golf Academy and Clubhouse in Aqaba, Jordan. Photo by Rory Gardiner.
Residential and Hotel Tower stands at 47 stories, Luxury Residential Tower stands at 41 stories, and the Premium Residential Tower stands at 34 stories. Image © Richard Greenwood/Courtesy of Multiplex
Image courtesy of Oppenheim Architecture

Commenting on the project, Oppenheim shares, “It was crucial for us to understand and uncover the spirit of place – the site’s histories and ecologies, so the architectural “object” wasn’t an arbitrary form, but one that resonated with the land and its people. These three crystals of varying proportions and relationships were captured with 3D scanning and, with minimal modification, translated into the full-size towers that illuminate the coast today.”

Jewel Towers by Oppenheim Architecture. Image © Richard Greenwood/Courtesy of Multiplex

According to the firm, the project is the first beach-front development built along Australia‘s Gold Coast in over 30 years. The Jewel is the winning competition proposal lead by the developer RDG. Oppenheim Architecture collaborated with DBI Design to develop the project’s interior design.  

BIG Selected to Design a Socially Engaging Hub for the Johns Hopkins University

BIG Selected to Design a Socially Engaging Hub for the Johns Hopkins University, Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Johns Hopkins University has selected BIG to design its new Student Center, regenerating the heart of its campus and reviving the social experience, from a shortlisted list of 4 offices, after a months-long international competition. Entitled “The Village”, the proposal is an “open, modern, and welcoming facility envisioned as a social engagement hub for all members of the Hopkins community”.

+ 7

Set to begin construction in spring 2022 and to be completed by fall 2024, the new Hopkins Student Center, received overwhelmingly positive reviews from students, staff, and alumni, who contributed to the selection process. BIG’s third academic building in the United States -following the Isenberg School of Management Business Innovation Hub for the University of Massachusetts Amherst and The Heights Building for Arlington Public Schools, both completed in 2019- is in collaboration with Shepley Bulfinch as Architect of Record, along with Rockwell Group for interior design and Michael Van Valkenburg Associates for landscape design.

Having taught at a number of world-renowned universities on the East Coast, it is an incredible honor to have been chosen to create the framework for the life of the Johns Hopkins students. We have attempted to imagine and design the Campus Center like a village condensed from a plethora of different spaces and pavilions for the greatest possible diversity of activities, interests, and sub-cultures. — Bjarke Ingels, Founder & Creative Director, BIG-Bjarke Ingels Group.


Related Article

BIG Designs AI CITY, an Innovation Campus Hosting Headquarters of Tech Firm in Chongqing, China


Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Supporting the university’s sustainability goals, the imagined scheme was praised for its open feel, connections to surrounding exterior spaces, abundance of natural daylight, and integrated sustainable features. The 150,000 square foot building, located just south of the iconic open space on the Johns Hopkins, will encompass spaces for relaxation and socialization, creative and performing arts spaces, student resources and support services, lounges, a digital media center, a performance space with seating for 200 people, and a dynamic dining hall. Generating connectivity with the neighboring Charles Village community, the project creates a new dynamic entry point, at the crossroads of student activity. 

Often the greatest ideas and breakthroughs occur away from the desk, when minds have a chance to wander, to play, to riff with others. The new Hopkins Student Center is designed to provoke the sometimes-necessary distractions that complement rigorous academic life – a place for a future generation of Salks, Curies, and Cricks to unlock their next great discovery. — Leon Rost, Partner, BIG-Bjarke Ingels Group.

Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

“Not academically focused, but entirely social by design, Open to all, reserved for none, and boasting the kind of flexible spaces that invite connection and collaboration” states Ronald J Daniels, President, Johns Hopkins University. The proposal imagined as a central living room is surrounded by a collection of spaces tailored to the needs of the community. With entry from all four levels, the building maintains a friendly human scale, while the open façade reveals dining areas, spilling out onto the plaza.

Regarding the structure, the mass timber provides a warm and acoustically comfortable environment as light filters in between the photovoltaic roof panels. In fact, the open design allows light to enter the clerestory windows and leaves all student activities and school spirit on display. Finally, the indoor area of “The Village” is comprised of a cluster of flexible spaces, which open out on to four rejuvenated public spaces, and the landscape around the building generates outdoor spaces for student activities and events.

Courtesy of BIG-Bjarke Ingels Group
Courtesy of BIG-Bjarke Ingels Group

Hopkins Student Center

  • Name: Hopkins Student Center
  • Type: Competition
  • Size: 13,935m2
  • Location: Baltimore, Maryland, US
  • Client: Johns Hopkins University
  • Collaborators: Shepley Bulfinch (Architect of Record), Rockwell Group (Interior Architects), Michael Van Valkenburgh Associates (Landscape Architects)
  • Architect: BIG – BJARKE INGELS GROUP
  • Partners-in-Charge: Bjarke Ingels, Leon Rost
  • Associate-in-Charge: Elizabeth McDonald
  • Project Leaders: Jason Wu, Lawrence Olivier Mahadoo
  • Team: Alex Wu, Xi Zhang, Chia-Yu Liu, Guillaume Evain, Jakub Kulisa, Kig Veerasunthorn, Mike Munoz, Tom Lasbrey, Tony Saba Shiber, Blake Smith, Corliss Ng, Florencia Kratsman, Francesca Portesine, Jamie Maslyn Larson, Gabriel Jewell-Vitale, Kevin Pham, Josiah Poland, Jialin Yuan, Ken Chongsuwat, Duncan Horswill, Ben Caldwell, Margaret Tyrpa, Terrence Chew, Tracy Sodder, Chris Pin, Alexander Matthias Jacobson, Tore Banke, Frederic Lucien Engasser, Xingyue Huang,Jesper Petersen, Kaoan Hengles

MVRDV-designed lingerie store in Paris uses transparent glass floor for a more “revealing” design approach


Photos by Ossip van Duivenbode.

MVRDV has completed a new flagship store in Paris for French lingerie brand Etam, renovating a 19th-century Haussmann building by removing its internal barriers and adding a glass floor to allow light to fill the interior.

The project sits at a corner site on Boulevard Haussmann, in one of the prime shopping locations in Paris near the Opera Garnier. MVRDV cut back the exterior of the building to highlight its classical appearance whilst allowing natural light to enter the store at both ends.

This “stripped down” approach moves to the interior, where the design reveals the original stone structure through the removal of interior walls and part of the mezzanine floor above. At ground level, a glass floor stretches as one of the project’s defining features. It allows light to enter the basement level and connects visitors at the ground level to the level below and vice versa.

The floor is treated with a special film that makes it transparent when viewed at an angle, but clouded when viewed directly above or below, MVRDV said in a statement. This is intended to provide privacy and prevent vertigo for those standing on the floor.

Mezzanine level
Ground level
Basement level

“‘Unravelling beauty’ is almost a generic and eternal value that can be learned somehow from the world of lingerie. The revealing – but directional – glassification of the store allows for a delicate balance between transparency and privacy, for intimacy and distance, unravelling the beauty of Haussmann and Etam’s products, users, and visitors,” said MVRDV Founding Partner Winy Maas in a statement. “In the stores we design, we often like to try new, unexpected materials and love to play with different types of glass. The Etam flagship store is the first time we have brought these approaches to a building where so much of the existing structure must be maintained.”

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OMA / Reinier de Graaf’s Residential Towers, Norra Tornen, Wins the International Highrise Award 2020

© Laurian Ghinitoiu, Courtesy of OMA

The International Highrise Award (IHA), organized by the city of Frankfurt and the Deutsches Architekturmuseum (DAM), has selected Norra Tornen, the residential towers designed by OMA / Reinier de Graaf as the winner of its ninth edition. Granted every 2 years, to architects and developers for buildings of minimum 100 meters in height, completed in the last two years, Norra Tornen was selected from 31 projects from 14 countries.

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Designed by OMA and led by Reinier de Graaf, with Alex de Jong, Michel van de Kar, and Roza Matveeva, with Oscar Properties as developers on board, Norra Tornen was awarded the International Highrise Award by an international jury consisting of architects, structural engineers, and real estate specialists. Criteria of evaluation included the overall narrative, the sculptural qualities, the structural concept, and the mix of uses, among others. The project that has received international attention is the “result of a land allocation competition held by the City of Stockholm in 2013, won by Oscar Properties”.

© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA

OMA’s first built project in Sweden, Norra Tornen is currently the highest residential building in Stockholm’s city center. On the accomplishment, Reinier de Graaf, OMA Partner in Charge of the project stated that “For me, the award came somewhat unexpectedly since I never thought of the Norra Tornen towers as high-rise buildings. They are different from the conventional idea of a skyscraper. They are not monumental but homely, their aesthetics are informal and they rely on repetition only to produce diversityMoreover, Peter Cahorla Schmal, Director of the Deutsches Architekturmuseum (DAM) added that “Norra Tornen is a refreshing entrance to the city, recalling structuralist models of brutalism from the 1960s such as the Habitat from Expo67 in Montreal, skillfully transforming them and enriching the city with a new urban dominant, with apartments for all.


Related Article

Five Projects Named Finalists for the 2020 International Highrise Award


© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA
© Laurian Ghinitoiu, Courtesy of OMA

Norra Tornen

  • Dates
  • Competition: 2013
  • Groundbreaking (Innovationen): December 2015
  • Groundbreaking (Helix): December 2016
  • Completion (Innovationen): December 2018
  • Completion (Helix): December 2020
  • Program
  • Two residential towers: Helix and Innovationen
  • 320 apartments 24,555 m²
  • Retail 961 m² Services 895 m² Technical spaces 2,300m²
  • Data
  • Plot Area (Helix): 575 m²
  • Plot Area (Innovationen): 660 m²
  • Net floor area (Helix): 14,039 m²
  • Net floor area (Innovationen): 17,787 m²
  • Net floor area (total): 31,826 m²
  • Gross floor area (Helix): 18,820 m²
  • Gross floor area (Innovationen): 23,479 m²
  • Gross floor area (total): 42,299 m²
  • Height (Helix): 110 m (32 floors)
  • Height (Innovationen): 125 m (36 floors)
  • Materials
  • Façade: Colored concrete ribbed façade, brushed with an exposed multi-colored aggregate pebble mix.

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