Electric Planes and Driverless Cars: Plans Unveiled for World’s First Energy-Positive City Airport

Electric Planes and Driverless Cars: Plans Unveiled for World's First Energy-Positive City Airport, Courtesy of Forbes Massie
Courtesy of Forbes Massie

In an era defined by globalization, and ‘speed-driven economies,’ urban environments are becoming more entwined with airports, giving rise to an architectural phenomenon of the ‘Aerotropolis’ across the world. In OsloNorwegian firms Haptic Architects and Nordic Office of Architecture have aimed higher, seeking to design the world’s first energy-positive airport city for the Norwegian capital.

Courtesy of Forbes MassieCourtesy of Haptic ArchitectsCourtesy of Forbes MassieCourtesy of Forbes Massie+ 9

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Courtesy of Haptic Architects

Courtesy of Haptic Architects

The 4 million-square-meter Oslo Airport City (OAC) masterplan embodies the Norwegian government’s ambition to move from an oil-based economy to one powered by renewable energy. Embracing low carbon features and green technologies, the Airport City will have the capacity to sell surplus energy to surrounding buildings. More than a city of present abilities, the scheme will serve as a test-bed for future technologies, including electric driverless cars, auto-lighting, smart waste, and perhaps most ambitiously, a fleet of electric aircraft.

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Courtesy of Forbes Massie

Courtesy of Forbes Massie

Oslo Airport City will be a catalyst for high-value economic activity in Norway. We expect it to deliver long-term, highly skilled jobs creating science and technology-based products. As long-term city developers with focus on sustainable, innovative solutions, we believe the future of airport city development in Norway and Oslo is not a matter of if, but when! – Thor Thoeneie, Managing Director, Oslo Airport City

More than a playground for a technological age, OAC incorporates human-centred strategies for its predicted 40,000 population. Public parksgreen spaces and leisure centres cater to Norway’s passion for sports and outdoor activities. A car-free city centre is proposed, with citizens never more than five minutes from public transport nodes.

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Courtesy of Forbes Massie

Courtesy of Forbes Massie

This is a unique opportunity to design a new city from scratch. Using robust city planning strategies such as walkability, appropriate densities, active frontages and a car free city centre, combined with the latest developments in technology, we will be able to create a green, sustainable city of the future. – Tomas Stokke, Director, Haptic Architects

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Courtesy of Forbes Massie

Courtesy of Forbes Massie
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Courtesy of Forbes Massie

Courtesy of Forbes Massie

Construction of the Oslo Airport City is expected to begin in 2019, with the first buildings completed in 2022.

New Renderings Revealed of The Shed at Hudson Yards as ETFE Cladding is Installed

New Renderings Revealed of The Shed at Hudson Yards as ETFE Cladding is Installed, The Shed under construction as seen from the High Line, February 2018. Photo by Ed Lederman
The Shed under construction as seen from the High Line, February 2018. Photo by Ed Lederman

New renderings and details of The Shed at Hudson Yards have been revealed as the structure’s ETFE panels continue to be installed ahead of its Spring 2019 opening date.

The new images show how some of the cultural venue’s interior spaces will look, including the galleries and the vast event space created when the wheeled steel structure is rolled out to its furthest extents. This space will be known as “the McCourt,” named after businessman Frank McCourt Jr, who donated $45 million to the project.

Designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, the 200,000-square-foot cultural center was envisioned as a spiritual successor to Cedric Price’s visionary “Fun Palace,” a flexible framework that could transform to host different types of events.

Rendering of The McCourt, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell GroupRendering of the Gallery on Level 4, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell GroupRendering of The McCourt with seating, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell GroupRendering of The McCourt with standing room, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group+ 9

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Rendering of The McCourt, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

Rendering of The McCourt, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group
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The Shed under construction. February 2018. Photo by Ed Lederman

The Shed under construction. February 2018. Photo by Ed Lederman

The Shed also announced the first group of commissions that will occupy the building during its inaugural season. True to the center’s concept, the opening works will cover a wide range of topics and media forms, largely including those “informed by cutting-edge technologies.”

“The original idea for The Shed was relatively simple: provide a place for artists working in all disciplines to make and present work for audiences from all walks of life,” said The Shed’s Artistic Director and CEO Alex Poots. “Our opening programs begin to show how these artists, art forms and audiences can thrive together under one roof.”

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Rendering of The McCourt with seating, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

Rendering of The McCourt with seating, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group
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Rendering of The McCourt with standing room, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

Rendering of The McCourt with standing room, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

The program includes:

  • a new live production celebrating the unrivaled impact of African American music on art and popular culture over the past 100 years, conceived by acclaimed filmmaker and artist Steve McQueen, developed and produced with music industry legend Quincy Jones, respected NYU Professor Maureen Mahon, and preeminent hip-hop producer Dion ‘No I.D.’ Wilson
  • a live performance/exhibition pairing works by master painter Gerhard Richter with a new composition by Steve Reich and extant composition by Arvo Pärt
  • a reinvention of Euripides’ Helen by poet Anne Carson, starring Ben Whishaw and Renée Fleming
  • an original live production co-conceived by Chen Shi-Zheng and Kung Fu Panda screenwriters Jonathan Aibel and Glenn Berger, with songs by Sia and choreography by Akram Khan
  • expansive exhibitions devoted to extant and newly commissioned work by trailblazing artists Trisha Donnelly and Agnes Denes
  • An unprecedented opportunity for New York City-based, early-career artists of all disciplines to develop and showcase their work throughout The Shed’s spaces via an Open Call commissioning program
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The Shed under construction as seen from the north, February 2018. Photo by Timothy Schenck

The Shed under construction as seen from the north, February 2018. Photo by Timothy Schenck
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Rendering of the Gallery on Level 4, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

Rendering of the Gallery on Level 4, courtesy of Diller Scofidio + Renfro in collaboration with Rockwell Group

Poots also announced the appointment of Serpentine Galleries curator Hans Ulrich Obrist as The Shed’s Senior Program Advisor. In this role, Obrist will collaborate with the curatorial team to “develop and commission a wide range of new work in all disciplines.”

News via The Shed

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