6 Shortlisted Designs Unveiled in London’s Illuminated River Competition

6 Shortlisted Designs Unveiled in London’s Illuminated River Competition

The Illuminated River Foundation has unveiled the six designs shortlisted to transform the river Thames in London by lighting up key bridges along the length of the river. The six teams were selected in September and asked to work their initial schemes into concept designs for the Westminster, Waterloo, London and Chelsea bridges. The teams comprise: Adjaye Associates; A_LA; Diller Scofidio + Renfro; Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace; Les Éclairagistes Associés with ecqi and Federico Pietrella; and Sam Jacob Studio with Simon Heijdens. Read on to see all six designs.

Blurring Boundaries / Adjaye Associates

Adjaye Associates’ design aims to highlight the unique histories of each individual bridge, assembling a number of artists and designers to bring their own touch to each location. The cumulative effect of these interventions will be, as they describe it in their project description, “to reimagine the bridges not as connectors, but as the heart of London itself… they join to form a cohesive stitching for London’s heart, a vibrant new epicenter anchoring the two banks.” The design also includes a number of urban pavilions, with uses ranging from lookout towers to a new auditorium.

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Blurring Boundaries / Adjaye Associates. London Bridge. Image © Malcolm Reading Consultants and Adjaye Associates

Blurring Boundaries / Adjaye Associates. London Bridge. Image © Malcolm Reading Consultants and Adjaye Associates

Full team: Adjaye Associates with Cai Guo-Qiang, Chris Ofili, Larry Bell, Jeremy Deller, Philippe Parreno, Richard Woods, Mariko Mori, Lorna Simpson, Teresita Fernández, Joana Vasconcelos, Angela Bulloch, Thukral & Tagra, Katharina Grosse, Glenn Ligon, Doug Aitken, Tomás Saraceno, onedotzero digital consultants, Plan A Consultants, DHA, Hurley Palmer Flatt, AKT II, AECOM, Arup, Sir Robert McAlpine, Tavernor Consultancy, DP9, Four Communications, Hayes Davidson digital visualisers, Bosch and iGuzzini.

Blurring Boundaries / Adjaye Associates. London Bridge. Image © Malcolm Reading Consultants and Adjaye AssociatesBlurring Boundaries / Adjaye Associates. Tower Bridge. Image © Malcolm Reading Consultants and Adjaye AssociatesBlurring Boundaries / Adjaye Associates. Southwark Bridge. Image © Malcolm Reading Consultants and Adjaye AssociatesBlurring Boundaries / Adjaye Associates. Chelsea Bridge. Image © Malcolm Reading Consultants and Adjaye Associates+36

The Eternal Story of the River Thames / A_LA

A_LA’s design focuses on exploring the river as a natural entity, which has constantly been ignored or even suppressed by the construction of the city around it. This is highlighted by continuous lighting along the river walls, creating “a constant thread of light through the city that gently illumines the expanses of foreshore exposed at low tide.” On the bridges, the lighting changes with the tides: at low tide the undersides of the bridges are illuminated, while at high tide the illumination shifts to the light up the bridges’ elevations.

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The Eternal Story of the River Thames / A_LA. High tide. Image © Malcolm Reading Consultants and AL_A

The Eternal Story of the River Thames / A_LA. High tide. Image © Malcolm Reading Consultants and AL_A

Full Team: AL_A, Asif Kapadia, Simon Stephens, SEAM Design, Arup, GROSS. MAX., Mark Filip, Soundings and DP9.

The Eternal Story of the River Thames / A_LA. Low Tide. Image © Malcolm Reading Consultants and AL_AThe Eternal Story of the River Thames / A_LA. Image © Malcolm Reading Consultants and AL_AThe Eternal Story of the River Thames / A_LA. Westminster Bridge elevations. Image © Malcolm Reading Consultants and AL_AThe Eternal Story of the River Thames / A_LA. High tide. Image © Malcolm Reading Consultants and AL_A+36

Synchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro

Diller Scofidio + Renfro’s design also highlights natural rhythms, in this case the natural rhythm of daylight. In the “magic hour” when the sun has set, each bridge will begin to “fill up” with light, reaching its maximum illumination one hour after the sun sets. At this moment, a beam of light will be briefly directed towards the sky, offering a “night kiss” at the end of twighlight. The lighting for each bridge will be carefully calibrated to its position along the river, with the precise timing of this display varying depending on the exact timing of the sunset in that location, thus giving a visual representation of the rotation of the earth.

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Synchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. Waterloo Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + Renfro

Synchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. Waterloo Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + Renfro

Full Team: Diller Scofidio + Renfro with Oliver Beer, Arup, Copper Consultancy, L’Observatoire International, Penoyre & Prasad, Jennifer Tipton and Transsolar.

Synchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. London Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + RenfroSynchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. Chelsea Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + RenfroSynchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. Waterloo Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + RenfroSynchronizing the City: Its Natural and Urban Rhythms / Diller Scofidio + Renfro. Waterloo Bridge. Image © Malcolm Reading Consultants and Diller Scofidio + Renfro+36

Current / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace

Leo Villareal, the designer behind The Bay Lights on San Francisco’s Bay Bridge, worked with London architecture firm Lifschutz Davidson Sandilands and placemaking agency Future\Pace to imagine a designwhich not only includes site-specific colored displays at each bridge, but also incorporates forward-looking strategic plans and partnerships which aim to control commercial lighting along the river and increase public engagement through a variety of installations.

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Current / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Westminster Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson Sandilands

Current / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Westminster Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson Sandilands

Full Team: Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Atelier Ten, Beckett Rankine, Bradley Hemmings, Core Five, Futurecity, Greenwich+Docklands International Festival, MBNA Thames Clippers, Montagu Evans, Pentagram, Price & Myers.

Current / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Waterloo Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson SandilandsCurrent / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. London Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson SandilandsCurrent / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Westminster Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson SandilandsCurrent / Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Westminster Bridge. Image © Malcolm Reading Consultants and Leo Villareal and Lifschutz Davidson Sandilands+36

A River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella

Similar to the proposal by Diller Scofidio + Renfro, the design by Les Éclairagistes Associés hopes to light each bridge at the opportune time between day and night, resulting in the timing of the bridges lighting being dependent on their precise location. In addition, the concept hopes to highlight London’s position as a global city by placing symbols of other global cities—specifically, faithful recreations of their lampposts—in the river itself, where they will be revealed to a greater or lesser extent depending on the height of the tides.

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A River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. Lampposts. Image © Malcolm Reading Consultants and Les Éclairagistes Associés

A River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. Lampposts. Image © Malcolm Reading Consultants and Les Éclairagistes Associés

Full Team: Les Éclairagistes Associés (L.E.A.), ecqi ltd. and Federico Pietrella in association with GVA Lighting Europe Limited and ewo srl.

A River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. Chelsea Bridge. Image © Malcolm Reading Consultants and Les Éclairagistes AssociésA River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. Waterloo Bridge. Image © Malcolm Reading Consultants and Les Éclairagistes AssociésA River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. Westminster Bridge. Image © Malcolm Reading Consultants and Les Éclairagistes AssociésA River Ain’t Too Much To Light / Les Éclairagistes Associés with ecqi and Federico Pietrella. London Bridge. Image © Malcolm Reading Consultants and Les Éclairagistes Associés+36

Thames Nocturne / Sam Jacob Studio and Simon Heijdens

The design by Sam Jacob and Simon Heijdens seeks to create a three-dimensional “ribbon” of light between Chelsea and Wapping that forms an overlay on top of the river. The ribbon itself will be formed of multiple planes of projected light, which through their overlapping layers will form an ethereal representation of the river directly below; the lower edge of each plane will vary depending on the depth of the river, while the upper edge will change constantly based on real-time measurements of the movement of the surface. Similarly, the bridges will be illuminated with a shifting monochromatic light that causing the perception of their form “to wax and wane as the tide rises and falls.”

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Thames Nocturne / Sam Jacob Studio and Simon Heijdens. London Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon Heijdens

Thames Nocturne / Sam Jacob Studio and Simon Heijdens. London Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon Heijdens

Full Team: Sam Jacob Studio and Simon Heijdens with Studio Dekka, Daisy Froud, Elliott Wood, Jackson Coles and Professor John Tyrer.

Thames Nocturne / Sam Jacob Studio and Simon Heijdens. London Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon HeijdensThames Nocturne / Sam Jacob Studio and Simon Heijdens. Westminster Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon HeijdensThames Nocturne / Sam Jacob Studio and Simon Heijdens. Chelsea Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon HeijdensThames Nocturne / Sam Jacob Studio and Simon Heijdens. Waterloo Bridge. Image © Malcolm Reading Consultants and Sam Jacob Studio and Simon Heijdens+36

More information about each design can be found at the webpage of competition organizers Malcolm Reading.

Job:Architect

AAI Architects, P.C.

Employer: AAI Architects, P.C.
 Location: New York, NY, US
 Posted on: Mon, Nov 7 ’16

We are seeking Architects for our New York Office, AIA Architects, PC. The successful individuals will have the following profile:

  • 1-5 years relevant work experience and proficiency in the production of working drawings from schematic design through to construction administration with minimum supervision. Thorough understanding of construction detailing is essential
  • High level of skill in current versions of Revit/BIM and 3-D modeling software (3D Studio Max), AutoCAD, Microstation, Digital Project and Microsoft Office
  • Ability to assemble a construction drawing set including site plans, floor plans, elevations, building sections, wall details etc.
  • Fully versed in the New York City Building Code with experience with large-scale commercial, mixed-use and institutional buildings
  • Strong knowledge of building technology and assembly, construction methodology, materials application and interpretation of manufacturers’ requirements
  • Excellent oral and written communication skills, design, and problem solving skills as well as appreciation and sensitivity to architectural design intent
  • Positive attitude with proven proficiency working collaboratively within a team setting
  • Strong work ethic, ability to work efficiently and with accuracy, takes responsibility for own work
  • Self-motivated individual capable of assuming increasing responsibility for both current and future projects and who, in particular, is interested in growing with the firm

Richard Meier & Partners Unveils Milestone Black-Glass Residential Tower for New York City

© bloomimages
© bloomimages

Richard Meier & Partners has revealed the design of 685 First Avenue, a new 42-story residential tower to be located just south of the United Nations Headquarters along the East River in Manhattan. The 460-foot-tall building, Meier’s tallest in New York City, will be primarily constructed of black glass and metal panels, marking a surprising departure away from Meier’s signature all-white aesthetic.

© bloomimages© bloomimages© bloomimages© Scott Frances+12

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Richard Meier & Partners Unveils Milestone Black-Glass Residential Tower for New York City, © bloomimages

© bloomimages

“We asked ourselves, can formal ideas and the philosophy of lightness and transparency, the interplay of natural light and shadow with forms and spaces, be reinterpreted in the precise opposite – white being all colors and black the absence of color?” explains Meier. “Our perspective continues to evolve, but our intuition and intention remain the same – to make architecture that evokes passion and emotion, lifts the spirit, and is executed perfectly.”

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© bloomimages

© bloomimages

The building takes a minimalist approach to form, drawing attention to its considered “materiality, lightness, transparency and order.” The facade’s sleek, black-glass curtain wall presents a solid figure on its eastern elevation, interrupted only by an architectural cut-out at the 27th and 28th floors, while on the western side, balconies, canopies and corners have been introduced to break up the elevation into human-scaled elements.

Individual window modules spanning full floor-to-floor heights have been subdivided into a system of operable window panels, joints and reveals. According to the architects, the use of black glass “unifies the façade, provides privacy for residents, and modulates the reflections of the context.”

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© bloomimages

© bloomimages
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© Scott Frances

© Scott Frances

The interiors of the 556 rental and condominium apartments have also been designed by Richard Meier & Partners, and will feature a material palette of white, gray and earth tones complemented by wood, plaster and glass. Residents will have access to a multitude of building amenities located on the second floor, including an indoor swimming pool, fitness center, child playroom, work room, game room, private dining room, and lounge.

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© bloomimages

© bloomimages

Down at street level, a double-height glazed lobby space will act as a link to the site context, while retail space along First Avenue will inject urban activity into the building.

“The singular form of 685 First Avenue is borne of a desire to create an iconic building unique to Midtown Manhattan,” said Meier. “With advanced technologies and building materials, we seek an innovative and timeless design that adds to the history and roster of Manhattan’s landmark buildings. The architecture will be finely crafted, precise, elegant and striking. It is very meaningful to me personally to work in New York City, and to give something enduring to the city I call home.”

685 First Avenue is being developed by  Sheldon Solow’s East River Realty Development, becoming Meier’s 19th designed project in New York City, with other designs including the Perry Street & Charles Street Condominiums, the Westbeth Artists’ Housing in the West Village, and the Aye Simon Reading Room at the Guggenheim Museum.

News via Richard Meier & Partners.

  • Architects

  • Location

    685 1st Avenue, New York, NY 10016, United States
  • Design Team

    Richard Meier, FAIA, FRIBA; Dukho Yeon, AIA; Stefan Scheiber-Loeis
  • Project Manager

    Richard Liu
  • Project Architect (Architecture)

    Sang-Min You
  • Project Architect (Interiors)

    Bori Kang, Hans Put
  • Project Team

    Tetsuhito Abe, Diana Carta, Luis Arturo Corzo, Joseph DeSense III, Ana Paola Hernandez, Henry Jarzabkowski, Graham Kervin, Peter J. Liao, Jackson Lindsay, Cameron Longyear, Diana Lui, Sharon Oh, Greg Chung Whan Park, Luciana Ruiz, Anne Struewing, Xiaodi Sun, Yuanyang Teng
  • Owner & Developer

    Sheldon Solow, East River Realty Development LLC
  • Major Building Materials

    Glass and Aluminum Curtain Wall, Metal Panel, and Stone
  • Program

    Residential Tower, Street Level Retail and below grade Garage
  • Floors

    42 floors above grade, cellar, and sub-cellar
  • Site Area

    32,365 SFT
  • Renderings

    bloomimages
  • Model Photograph

  • Architectural Drawings

    Courtesy Richard Meier & Partners Architects
  • Facebook & Instagram

    @richardmeierpartners
  • Area

    765590.0 ft2
  • Photographs

    bloomimages, Scott Frances, Courtesy of Richard Meier & Partners Architects

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