Half-turn staircase / quarter-turn / metal frame / wooden steps UNIVERSAL MAXI L/U 75-94

Half-turn staircase / quarter-turn / metal frame / wooden steps UNIVERSAL MAXI L/U 75-94 Misterstep

Characteristics

  • Type:

    half-turn, quarter-turn

  • Structure:

    metal frame

  • Steps:

    wooden steps

  • Options:

    kit, central stringer

  • Riser:

    without risers

Description

Universal Maxi is a comfortable open staircase, that can be adapted to a multiplicity of living situations thanks to its innovative system of adjustment in accordance with available space.

Adaptable in rise and going, Universal Maxi is designed to fully simplify the installation phase. The steps and the handrail are in solid beech, painted with a natural non-toxic water based paint, while the structure and the railing, both in painted steel, are disposable in gray, black and white.

The basic kit consists of 12 steps, complete with internal railing but you can also customise your staircase with the wide range of accessories available.
Registered community model

Gallery: Frank Lloyd Wright’s Solomon R. Guggenheim Museum by Laurian Ghinitoiu

Gallery: Frank Lloyd Wright's Solomon R. Guggenheim Museum by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

The Solomon R. Guggenheim Museum, which opened in 1959, was controversial for being “less a museum than it is a monument to Frank Lloyd Wright.” Although Wright intended to display paintings on the curved interior walls of the central open space, the concave walls made it unworkable. Instead, the central atrium became a place for procession and the uncovering of space through movement. The continuous ramp overlooking the atrium allows people to interact from different levels.

Photographer Laurian Ghinitoiu places people at the core of his photography which perhaps explains how, in this photoset of the Guggenheim Museum to mark Wright’s 149th birthday, he captured the essence and vitality of the Guggenheim Museum. While some images depict the museum’s atrium as a place for passing-by, wandering or socializing, others grasp the growing influence of photography and self-representation on visitors’ experience. Some shots also show the building in its urban context with people involved in daily life activities.

© Laurian Ghinitoiu© Laurian Ghinitoiu© Laurian Ghinitoiu© Laurian Ghinitoiu+30

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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu
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© Laurian Ghinitoiu

© Laurian Ghinitoiu

MoMA Announces a Major Retrospective to Commemorate Frank Lloyd Wright’s 150th Birthday

Today, the Museum of Modern Art in New York announced a major retrospective of Frank Lloyd Wright’s work to be displayed in 2017, commemorating 150 years since the architect’s birth. Opening next June, the exhibition will feature approximately 450 works spanning Wright’s career including architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, photographs, and scrapbooks, along with several works that have rarely or never been shown publicly.

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MoMA Announces a Major Retrospective to Commemorate Frank Lloyd Wright’s 150th Birthday, Plan for Greater Baghdad. Unbuilt project. 1957-58. 34 7/8 × 52″ (88.6 × 132.1 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Plan for Greater Baghdad. Unbuilt project. 1957-58. 34 7/8 × 52″ (88.6 × 132.1 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

The exhibition will be structured as an “anthology” of Wright’s work, separated into 12 sections dedicated to a key project or set of pieces from the Frank Lloyd Wright Archive, which was acquired in 2012 by MoMAin conjunction with the Avery Architectural & Fine Arts Library at Columbia University. Models and drawings from works such as Unity Temple (1905–08), the Robie House (1908–10), Fallingwater (1934–37), the Johnson Wax Administration Building (1936–39), and Beth Sholom Synagogue (1953–59) will be on display, alongside investigations into lesser-known projects such as his proposed design for the Rosenwald School for African American children and Wright’s design for a model farm.

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Press conference unveiling The Mile-High Illinois (Chicago, Illinois). Unbuilt Project. 1956. Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Press conference unveiling The Mile-High Illinois (Chicago, Illinois). Unbuilt Project. 1956. Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

The exhibition will also cover Wright’s use of ornament, circular geometries and his Native American-inspired designs. Other considerations of the retrospective will be the intersection of nature, landscape, and architecture, and the contrast between the architect’s call for the democratization of the profession and his celebrity and media prowess.

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Rosenwald Foundation School (La Jolla, California). Unbuilt Project. 1928. Pencil and color pencil on tracing paper. 12 3/4 x 25 7/8” (32.4 x 65.7 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Rosenwald Foundation School (La Jolla, California). Unbuilt Project. 1928. Pencil and color pencil on tracing paper. 12 3/4 x 25 7/8” (32.4 x 65.7 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
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Raul Bailleres House (Acapulco, Mexico). Unbuilt Project. 1952. Brown ink, pencil and color pencil on tracing paper. 31 3/4 x 52 7/8″ (80.6 x 134.3 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Raul Bailleres House (Acapulco, Mexico). Unbuilt Project. 1952. Brown ink, pencil and color pencil on tracing paper. 31 3/4 x 52 7/8″ (80.6 x 134.3 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

A recently restored model of one of Wright’s proposed towers designed to cluster around St. Mark’s Church-in-the-Bowery, deemed too radical for the tastes of the time, will conclude the exhibition. The final section will also include the model of the Solomon R. Guggenheim Museum, a historical analysis of drawings, and a data-visualization project illustrating the architect’s global network of clients, professional relationships, and buildings.

The exhibition is scheduled to run from June 12 – October 1, 2017.

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Liberty Magazine Cover. 1926. Color pencil on paper. 24 1/2 x 28 1/4″ (62.2 x 71.8 cm). The Frank Lloyd Wright Foundation Archives. Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Liberty Magazine Cover. 1926. Color pencil on paper. 24 1/2 x 28 1/4″ (62.2 x 71.8 cm). The Frank Lloyd Wright Foundation Archives. Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
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Model of St. Mark’s-in-the-Bouwerie. Unbuilt project. New York, New York. 1927-31. Painted wood. 53 x 16 x 16″ (134.6 x 40.6 x 40.6 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Model of St. Mark’s-in-the-Bouwerie. Unbuilt project. New York, New York. 1927-31. Painted wood. 53 x 16 x 16″ (134.6 x 40.6 x 40.6 cm). Image © The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

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